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Behaving Badly As A Career Strategy, part 2

Stevie Chuckles’ Advice to New Writers

Part Two: After you’ve sold but before you’ve published

(Part One here.)

You are important. Your writing is important. You and your writing are more important than anybody else (and their crummy writing). Here are some behaviors you can embrace to accentuate your place in the writing universe.

  1. It’s hard for people to find the good stuff with all the crap that is published out there so be sure and send emails to everyone you know (but especially those you don’t know) to let them know about your upcoming work. You should also attach a very large, high definition video trailer for the work, explaining that the field of literature is about to be reinvented and invigorated, with all previous works cast into a dark shadow by the new shinyness that is you and your work. No little tiny grainy quicktime video will do. Production values matter. Make sure the attachment is sufficient length and size—in other words, GRAVITAS—to adequately clog their mailbox like half a roll of toilet paper in a public toilet. That way they are are sure to notice it.
  2. [Read more…]

  3. Be sure and go to rec.arts.sf and, in the middle of ANY conversation, post a comment as to how your upcoming story relates to the topic at hand. If it’s a bit of a stretch use similies. “My splatterpunk story relates to this conversation about elves like water mixes smoothly with oil.” Use metaphors. “The blood splattered walls of my story are the borders of Fairy.” Or, you can lie. “For a good story about elves, read my upcoming work in the anthology, SEX WITH THE DEAD.”
  4. Annonymously comment in people’s blogs about this upcoming story you were INCREDIBLY LUCKY to read. Again, you should loosely tie the subject of the post and comments into the story using similar methods to the ones above. Then show up as someone else and reinforce how wonderful the upcoming work is.
  5. Invite journalists to interview you as your work is about to be published. Since your genius transcends genres, feel free to pick venues that you might normally pass up. Model Railroader wants nothing more than to review a work with the driving narrative traction of six locomotives.
  6. You should follow up with Hollywood. After all, if they were all hot for you when they were just working with an idea (and your shiny personality) think how excited they’ll be now that you’ve finished something. They really admire people with initiative. So, finding out where they live, eat, or drop their children off for daycare is a good way to get their attention. I mean, its not as if you’ve got a camera or something. (But if you get any snaps of Angelina Jolie while doing this…just sayin’.)

Next time: After you’ve published. (Up close and personal.)


*The above was part of my lecture at the 2008 Viable Paradise Writer’s workshop on Martha’s Vienyard. New writers are strongly encouraged to follow every step. It cuts down on my competition.

About the Author

Steven Gould

Author

All my books are belong to Tor. (Not counting foreign stuff.) You can read more about me at my blog, An Unconvincing Narrative or our group blog Eat Our Brains.

Steven Gould is an American science fiction writer, born on February 7, 1955 in Fort Huachuca, Arizona and raised in a variety of places adjacent to American military bases, domestic and overseas. In college in Texas in the late 1970s, he became active in science fiction fandom, and shortly afterward began writing short fiction and selling it to major science fiction magazines, beginning with "The Touch of Her Eyes" (Analog, September 1980).

His debut novel Jumper (1992) was widely praised for its readability, appealing protagonist, and intricate working-out of the consequences of a single science-fictional idea: a single young boy in today's world who discovers that, evidently uniquely, he can teleport. Jumper was followed by several more novels: Wildside (1996), Greenwar (1997, with his wife, SF writer Laura J. Mixon), Helm (1998), Blind Waves (2000), and Reflex (2004, a sequel to Jumper). 

In 2008 Jumper was brought to the screen as a big-budget SF adventure of the same name, directed by Doug Liman and starring Hayden Christiansen and Samuel L. Jackson. The movie rearranged the story line and gave the protagonist a teleporting sidekick. When the movie's producers expressed a desire to see a novel published about the sidekick's backstory, Gould chose to write the book himself; it was published as Jumper: Griffin's Story (2007), and is not canonical with the other two "Jumper" novels. "Shade," Gould's story on Tor.com, takes place in the world of the novels, not the alternate continuity of the movie. Meanwhile, Jumper-the-movie was a financial success, and a sequel is rumored.

With fellow writers Bradley Denton, Caroline Spector, Madeleine E. Robins, Maureen F. McHugh, Morgan J. Locke, ansd Rory Harper, Gould maintains a group weblog, Eat Our Brains. He lives in Albuquerque, New Mexico with his wife Laura J. Mixon and their two daughters.

Wikipedia | Goodreads

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