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John Crowley tries to make sense of it all

John Crowley has a LiveJournal post in which he tries to make sense of the week’s news (Palin, the Large Hadron Collider, the stock market, etc.): The Triumph of Evanescence. It is of course all written in characteristic Crowleyesque prose:

The events on Wall Street add also to my sense that things appearing as large, even huge, and substantial, and long-lasting, and solid, are in fact not so. Billions and trillions of dollar values evanesce in moments, just like the universe eaten by a perfect vacuum. Firms housed in marble halls, on whose worth real lives are founded, vanish like fairy castles. I don’t think that they were fake, or Potemkin villages, cheap impositions on credibility that ought to be replaced by more actual (!) structures that could be better relied on: I am feeling as though substantiality itself is not all it’s thought to be. Great huge long-lasting things are not different from small ephemeral things. “All that is solid melts into air.”

What I am puzzled about is my emotional or spiritual reaction to these things. I feel a weird exhilaration. I don’t mean I feel weird; I feel exhilarated and in some way comforted or uplifted or both; it’s weird to feel that way.

An anonymous person in the comment section replies, “Oh my—a little bit more and I join your cult. Really.”

Meanwhile, Scientific American has just reprinted Benoit Mandelbrot’s 1999 essay How Fractals Can Explain What’s Wrong with Wall Street.

About the Author

Kathryn Cramer

Author

Kathryn Cramer is a writer, critic, and anthologist presently co-editing the Year's Best Fantasy and Year's Best SF series with her husband David G. Hartwell.

Kathryn Cramer is editor or co-editor of over two dozen science fiction and fantasy anthologies, including the World Fantasy Award-winning The Architecture of Fear (1987, with Peter D. Pautz). With David G. Hartwell, she also co-edited many volumes of the annual Year's Best SF and Year's Best Fantasy annuals. She is also a co-founder of the New York Review of Science Fiction, and the author of a small but distinguished body of short SF and fantasy fiction.

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