Apr 25 2012 10:00am
Out in the U.K. on May 24 from Tor UK and out in the U.S. on May 15 from Del Rey, get an exciting sneak peek at at China Miéville’s upcoming novel, Railsea. Tor UK will be releasing more information and tidbits as the release date approaches.
On board the moletrain Medes, Sham Yes ap Soorap watches in awe as he witnesses his first moldywarpe hunt: the giant mole bursting from the earth, the harpoonists targeting their prey, the battle resulting in one’s death and the other’s glory. But no matter how spectacular it is, Sham can’t shake the sense that there is more to life than traveling the endless rails of the railsea – even if his captain can think only of the hunt for the ivory-coloured mole she’s been chasing since it took her arm all those years ago. When they come across a wrecked train, at first it’s a welcome distraction. But what Sham finds in the derelict — a series of pictures hinting at something, somewhere, that should be impossible — leads to considerably more than he’d bargained for. Soon he’s hunted on all sides, by pirates, trainsfolk, monsters and salvage-scrabblers. And it might not be just Sham’s life that’s about to change. It could be the whole of the railsea.
From China Miéville comes a novel for readers of all ages, a gripping and brilliantly imagined take on Herman Melville’s Moby-Dick that confirms his status as “the most original and talented voice to appear in several years.” (Science Fiction Chronicle)
Great Southern Moldywarpe
Talpa ferox rex
Reproduced with permission from the archives of the Streggeye Molers’ Benevolent Society.
This is the story of a bloodstained boy.
There he stands, swaying as utterly as any windblown sapling. He is quite, quite red. If only that were paint! Around each of his feet the red puddles; his clothes, whatever colour they were once, are now a thickening scarlet; his hair is stiff & drenched.
Only his eyes stand out. The white of each almost glows against the gore, lightbulbs in a dark room. He stares with great fervour at nothing.
The situation is not as macabre as it sounds. The boy isn’t the only bloody person there: he’s surrounded by others as red & sodden as he. & they are cheerfully singing.
The boy is lost. Nothing has been solved. He thought it might be. He had hoped that this moment might bring clarity. Yet his head is still full of nothing, or he knows not what.
We’re here too soon. Of course we can start anywhere: that’s the beauty of the tangle, that’s its very point. But where we do & don’t begin has its ramifications, & this right now is not best chosen. Into reverse: let this engine go back. Just to before the boy was bloodied, there to pause & go forward again to see how we got here, to red, to music, to chaos, to a big question mark in a young man’s head.