That Was Awesome! Writers on Writing
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Surprise, Fear, and an Almost Fanatical Dedication to the Womack
Andrew Vachss and Blue Belle: The Great Opening Line
Giving a Story Room to Breathe: Joe Hill’s NOS4A2
What the Bad Guy in Daniel Polansky’s She Who Waits Really Wants
Footnotes Done Right: Susanna Clarke’s Jonathan Strange & Mr Norrell
A Breathtaking Duel in Dorothy Dunnett’s The Game of Kings
Scott Lynch’s Red Seas Under Red Skies
Tony Ballantyne’s Dream Logic
The Contradictions of Diane Duane
Balancing on a Precipice: The Gothic Reach
Angélica Gorodischer’s Kalpa Imperial
The Big Reveal in Blake Crouch’s Pines
Forbidden Spheres and Cosmic Gulfs: The Weird Fiction of H.P. Lovecraft
Beth Cato’s The Clockwork Dagger
Roger Zelazny’s A Night in the Lonesome October
Lloyd Alexander’s Tales of War and Youth
Starfish by Peter Watts
Margaret Weis and Tracy Hickman’s Dragonlance Chronicles
Misha’s Red Spider White Web
Great Opening Lines: God’s War by Kameron Hurley
Robert J. Bennett’s City of Stairs
Kendare Blake’s Anna Dressed in Blood
Powerful Words:The Hitchhiker’s Guide to the Galaxy
Jonathan Strange and Mr. Norrell
Stories in Sync: Poetry and Rhythm in Storytelling
Fish Tails by Sheri S. Tepper
Christopher Logue’s War Music
Shirley Jackson’s We Have Always Lived in the Castle
“With Luck We Shall Make It, and Without Luck We Shall Not” — The Left Hand of Darkness
The Power of Voice in The Diabolical Miss Hyde
The Orange Eats Creeps by Grace Krilanovich
M. John Harrison’s Nova Swing
H.G. Wells and the Dream of Astronomy
A New Reality: The Optimism of Zen Cho
The Penfield Mood Organ in Do Androids Dream of Electric Sheep?
Imagination and Wish Fulfillment in Michael Ende’s The Neverending Story
The Skilled Illusions of The Sixth Gun
Reshaping Old Stories: C.S. Lewis’ Till We Have Faces
Character is in the Details: Robin Hobb’s Golden Fool
“Your Emotions Are at my Mercy” — Jen Brooks’ In a World Just Right
The Profound Philosophy of Dumb Jokes: How to Live Safely In a Science Fictional Universe
Voice and Ecstatic Moments in Jandy Nelson’s I’ll Give You The Sun
The Enticing Realism of Ramez Naam’s Nexus
The Magic Carpet of Clive Barker’s Weaveworld
Falling Off a Cliffhanger in Terry Brooks’ The Elfstones of Shannara
Toeing the Wavy Line in Mark Lawrence’s Prince of Thorns
Strange Antecedents: A Personal Appreciation of Margo Lanagan’s Novels
The Audacity of Kim Stanley Robinson’s Pacific Edge
“We Too Can Be Generous” — Red Moon and Black Mountain by Joy Chant
Powerful What-ifs: Kim Newman’s Red Reign
Fantasy in Shades of Grey: David Gemmell’s Wolf in Shadow
