This weekend, Lois Lowry’s old-school YA novel The Giver arrives in the form of a big-deal movie complete with Meryl Streep and Jeff Bridges, the latter of whom is definitely not playing the Dude, but rather the title character. He’s the Giver, who, in this future dystopia, hangs onto all the relevant information that makes life interesting while everyone else has a boring, colorless, almost emotionless life.
In hit-you-over-the-head allegorical dystopian sci-fi, the repression of emotions and basic regulation of thoughts comes up a lot. But do these styles of dystopias actually make narrative and logistical sense, or are they only allegorical? Further, does their own self-importance make them ironically oppressive?