
When I reviewed Brian McGreevey’s Hemlock Grove last year, I described the novel as “a post-Lynchian melodrama,” a blurring of the line between Gothic and prime-time soap opera that, two decades after Twin Peaks, didn’t have to worry about audiences being confused by the intrusion of the uncanny. In a way, it’s actually just a natural extension of the melodrama—to crib from myself, “a genre of failed repression, [where] the harder you try to cover up the sins or the traumas of the past... the more damage they will cause when they finally erupt.”
The announcement that Hemlock Grove would be a 13-episode Netflix series came right around the time of the novel’s release, and I’ve been curious to see how McGreevey’s soap opera dynamic would play out on the screen. Well, all 13 episodes were released Friday, and I’ve had a chance to watch the first three, which I’ll share some quick thoughts about now... and, over the next week or so, we’ll catch up to the rest. A word of caution: I’ve definitely got spoilers for episodes 1-3; the comments are likely to reveal things from even later in the series. (Heck, I might not even read the comments until I’ve got a few more episodes under my belt....)
























Crazy question: What’s going to happen when the mainstream fiction crowd gets bored with the end of the world? When they’ve had enough of post-apocalyptic wastelands and hardened survivors fighting off zombies and super-vampires? Here’s my theory: Instead of indulging themselves in worst-case scenarios for the future, they’ll see what sort of damage they can do to the past.

I had just started reading Brian McGreevy’s


















