Sevenna City simmers with tension between the ruling elite known as the Zunft and the working-class cottagers. Hoping to regain control, the Zunft cracks down on the cottagers, but their brutality just fuels the flames of rebellion. A cottager boy tries to navigate the dangerous currents of the city but finds himself on a collision course with both the Zunft and the people who want to bring them down.
Most people who have reached their eighties without raising children have every right to believe that they will go on not raising them, and Judith and I were no different until the day they turned up with the social worker, neatly scrubbed and pressed inside their vac-suits and carrying cases with all their remaining worldly possessions. There were three of them like stairsteps, their black hair cut in fringes across their foreheads and their dark eyes shining out disconcertingly familiar at me. But it wasn’t until the social worker said, “Mr. Chao and Ms. Goldstein, these are your grandchildren, Enid, Richard, and Harry,” that I remembered, sheepishly, about the genes we had given all those years ago, to that nice couple from New New Prague, before they left for the Oort Cloud.
Flur traveled across the stars to make first contact with the Cyclopes, hoping to forge a peace treaty between humanity and the first sentient aliens they’ve discovered. She’s undergone careful training and study to prepare for this moment. But what if her approach is too human?
Thanks to Game of Thrones and Marvel’s Cinematic Universe, we’ve entered a golden age of sci-fi and fantasy properties being developed for film and television. It seems that nearly every network and studio has snatched up the rights to old and new classics, with a bevy of projects in production or premiering in the coming months. We’ve compiled a master list of every SFF adaptation currently in the works, from American Gods to Y: The Last Man. And surprising no one, prolific writers Neil Gaiman and John Scalzi each have a number of projects in varying stages of development.
Check out this list and get your DVRs and Netflix queues ready, because you’re going to be wonderfully busy for the foreseeable future.
In the midst of all the reboots, lazy adaptations, blatant copycat projects, and quickly discarded binge-watching shows, I have found myself turning into a curmudgeon who whines about the lack of creativity in television and film. “Why can’t they come up with something original?” I ask. “Why do we need a third Peter Parker? What’s so hard about making a Fantastic Four movie? Do we really need a prequel to The Walking Dead?”
And then—as if someone is intentionally trying to make me look stupid—CBS announces plans for a new Star Trek program, the seventh of its kind (yes, I count the animated series because it’s awesome). And suddenly I’m young again! And I’m saying, “Where have you been? What took you so long?”
I’m starting to think that Gotham might be the best comic book adaptation to ever make it to the small screen. That doesn’t necessarily mean it’s good; I’ve still got my problems with it (then again, what do I know? It’s already been renewed for a second season). But ongoing serial superhero comics are all about the illusion of change, with Bold New Directions that circle right back to the beginning. At best, this allows our decades-old heroes to tip-toe forward in emotional and narrative progress, but in such a way that feels almost invisible to the reader.
By that assessment, Gotham is doing a remarkable of job of pretending like it’s going somewhere, or that its story is somehow progressing, when in fact, we’re just spinning our wheels. Or perhaps a more appropriate metaphor, given the topic of the episode, would be the Electric Slide, since we’re basically just shuffling left and right and then turning around in a square.
“Inter Arma Enim Silent Leges”
Written by Ronald D. Moore
Directed by David Livingston Season 7, Episode 16
Production episode 40510-565
Original air date: March 3, 1999
Station log. Kira is running a meeting that includes Cretak, Worf, Odo, and O’Brien, discussing repair schedules and shore leave requirements and other such fun stuff, which includes a great deal of snarking back and forth between Worf and Cretak on the subject of their respective nations’ prosecution of the war and need for shore leave.
Cretak is off to a conference on Romulus, which Bashir is also attending. Garak and Bashir discuss the conference—Garak was less than impressed with Romulus when he was assigned there as an agent of the Obsidian Order—and then Bashir is awakened in the middle of the night by Sloan, who says that Section 31 has an assignment for him: to gather data about the Romulan leadership, to take the pulse of the Romulan government. Bashir doesn’t like the idea of working for 31, nor does he like the idea of spying on an ally. Sloan points out that they’re a temporary ally at best, and he’s just there to gather information. Sloan predicts that, when the war ends and the Dominion retreats to the Gamma Quadrant, the Federation and the Romulans will be the only significant powers left, as the Klingons will take a decade to recover from the war and the Cardassians will be an occupied nation.
Fox is prepping a Minority Report TV pilot, intended as a sequel to the 2002 film starring Tom Cruise. However, don’t expect to see Cruise or his character John Anderton, as the pilot is set 10 years after the movie and will focus on one of the “precogs” from the film. In fact, Fox hasn’t announced casting at all, but it has signed on a director: Mark Mylod, known for ABC’s Once Upon a Time and Showtime’s Golden Globe-winning The Affair.
So the Sleepy Hollow team is talking about the fact that Season 2 has not been as good. Apparently some execs feel that it became too serialized, but I would argue that they added too many side characters, when the central relationships were squandered. People started saying “Ichabbie” for a reason. They practically kicked Captain Irving, a great, a compelling twist on the cliché of the Angry Black Police Chief, most of the way off the show. Finally, and most problematic, they ignored the mystery of the Mills sisters and their mother (the thing that produced the most compelling hour of the season, “Mama”) to focus on the Crane’s marital troubles, with an extra dose of Headless angst.
I’m not sure that last night’s Katrina-centric episode is the right move, but, it mostly worked as a tense, Monster-of-the-Week entry, and we did get some great Mills sister banter.
The Three was without question one of the best and most hellish horror novels released in recent years. As I concluded in my review, Sarah Lotz’s “nightmarish indictment of contemporary culture [was] assiduously ambiguous, brilliantly balanced, carefully controlled and in the final summation fantastically crafted,” so I’m on board for Day Four, the “unforgettable sequel” Hodderscape revealed recently.
Day Four appears to shift the focus of The Three from the skies to the seas.
While season 5 of HBO’s Game of Throneswon’t start until April 12, the network is tiding fans over with “A Day in the Life,” a short behind-the-scenes documentary airing February 8. HBO has just released a trailer, reminding us just how many people work together to make each episode of Game of Thrones happen.
The Wheel of Time Reread Redux, blog without end, Amen! Today’s Redux post will cover Chapter 27 and 28 of The Eye of the World, originally reread in this post.
All original posts are listed in The Wheel of Time Reread Index here, and all Redux posts will also be archived there as well. (The Wheel of Time Master Index, as always, is here, which has links to news, reviews, interviews, and all manner of information about the Wheel of Time in general on Tor.com.)
The Wheel of Time reread is also now available as an ebook series, except for the portion covering A Memory of Light, which should become available soon.
All Reread Redux posts will contain spoilers for the entire Wheel of Time series, so if you haven’t read, read at your own risk.
Mort(e) by Robert Repino arrives today from Soho Press, and we want to send you a copy right now!
The “war with no name” has begun, with human extinction as its goal. The instigator of this war is the Colony, a race of intelligent ants who, for thousands of years, have been silently building an army that would forever eradicate the destructive, oppressive humans. Check out our excerpt and Pop Quiz at the End of the Universe with Repino to find out more about the book!
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The minds behind Tor.com’s original short fiction program love our slush pile. Some of our favorite fiction has been pulled from the ranks of our unsolicited submissions. Because we take our mission of publishing great fiction by new authors seriously, we have decided to go on hiatus from accepting submissions in order to respond to the large quantity of stories we have on consideration. Tor.com will not be accepting submissions starting February 1st until May 1st.
I’ve been a fan of Terry Gilliam ever since the first time I watched Monty Python & the Holy Grail—which of course, was before I saw any of his post-Monty Python films. And of those wonderful, wonderful movies that he’s made in the intervening years, 12 Monkeys has always ranked at the top of my list of personal favorites. I’m a sucker for a good time travel flick, and the bleak determinism of 12 Monkeys has always appealed; how the film creates a complete and concise circle of cause and effect.
As such, upon hearing the news of the 12 Monkeys television adaptation on SyFy Channel, I found myself torn: on one hand, I love that story and universe so so so so so much that I was eager to see it explored in a new and modern context. On the other hand, my adoration of the original film (to say nothing of La Jetee) has a lot to do with the perfectness of its cyclical paradox. Going into the SyFy series, I couldn’t help but wonder: how is it even possible to extend such a perfectly structured time travel story into an ongoing series?
But then I watched the pilot episode and leaned back in my seat and thought, “Damn. All right. I’m in.”
Late last week Gollancz unveiled the Abi Hartshorne art set to grace Poseidon’s Wake, complete with a colourful new cover look for Blue Remembered Earth and On the Steel Breeze, the other volumes of the “informal trilogy” this third book concludes:
Poseidon’s Wake is a stand-alone story which follows two extraordinary characters as they begin to unravel some of the greatest mysteries of our universe. Their missions are dangerous, and both are venturing into the unknown… but if either can uncover the secret to faster-than-light travel, then new worlds will be at our fingertips.
But innovation and progress are not always embraced by everyone. There is a saboteur at work. Different factions disagree about the best way to move forward. And the mysterious Watchkeepers are ever-present.
Poseidon’s Wake is due out in April in the UK. But that’s not the only Alastair Reynolds news that’s been doing the rounds recently…
This was supposed to be a post about Canadian author Karina Sumner-Smith’s debut novel Radiant. Between reading Radiant and settling down to write about it, though, I chanced to read two more books I’d really quite like to talk about: another debut, Genevieve Cogman’s The Invisible Library, and S.L. Huang’s second independently-published novel, Half Life.
Welcome back to the Lovecraft reread, in which two modern Mythos writers get girl cooties all over old Howard’s original stories. Today we’re looking at “The Cats of Ulthar,” written in June 1920 and first published in the November 1920 issue of Tryout, and “The Other Gods,” written in August 1921 and first published in the November 1933 issue of The Fantasy Fan.
I don’t know about anyone else, but I’m finding the window that these dates/venues provide into fan-writing culture and rejection rates in the pulp era pretty interesting. Twelve years, yeesh!
People might stop using “what’s your sign” as a pick-up line (do people still use it?) if zodiacs were represented by the fearsome monsters dreamed up by Damon Hellandbrand (via Distractify). What would even be the horoscope attached to Aquarius (above), or his 11 equally terrifying brethren? “You will destroy civilizations and plant eternal fear into your enemies’ next three generations”?
Morning Roundup packs some plastic spoons for The Room; ponders a Game of Thrones/How to Get Away With Murder crossover; and reads this entire list in H. Jon Benjamin’s voice.
It was easier to think of the science fiction list, because science fiction gets me more excited than fantasy does. I’m not sure why this is. It may be because I write fantasy, so there’s a certain element of “If I can do that, anyone can do it.” Nevertheless, once I started thinking about it, it was quite easy to think of things. Oddly though, much more than with the SF list, these are series. Fantasy lends itself to series, I suppose?
Again, these are not intended as a “best” or a “favourite” list, they’re simply books that got me excited about the possibilities of the genre.