Egypt, 1912. In an alternate Cairo infused with the otherworldly, the Ministry of Alchemy, Enchantments and Supernatural Entities investigate disturbances between the mortal and the (possibly) divine. What starts off as an odd suicide case for Special Investigator Fatma el-Sha’arawi leads her through the city’s underbelly as she encounters rampaging ghouls, saucy assassins, clockwork angels, and a plot that could unravel time itself.
The epic journey that began in The Passage finally comes full circle in The City of Mirrors, a proper doorstopper of a novel that satisfies somewhat in spite of its sheer size and a hell of a hammy bad guy.
I have such fond memories of the beginning of this trilogy, which paired an awesome and expansive apocalypse—one up there, in my estimation, with the end of the world in Swan Song and The Stand—with a truly heartbreaking tale of loss on the small scale. By the denouement of that book, I had no idea where the story as a whole was going to go, but I knew that I wanted to know. And then… well.
The Twelve wasn’t terrible. It had a couple of a kick-ass action scenes, and some stirring slower moments that allowed Justin Cronin to explore the emotions of his vast cast of characters. But almost every other inch of that many-inched monolith of a novel felt like filler; texture at best and time-wasting at worst. In that respect, The City of Mirrors splits the difference. It doesn’t meander as much as its messy predecessor did, but nor, on the back of such bloat, and with more of its own to add to the tally, can it recapture the magic of The Passage.
“The Enterprise Incident”
Written by D.C. Fontana
Directed by John Meredyth Lucas
Season 3, Episode 4
Production episode 60043-59
Original air date: September 27, 1968
Captain’s log. Kirk is acting irrationally, being snappish with both Chekov and Spock and then ordering the ship to head for the Romulan Neutral Zone, in violation of treaty, and entirely on his own authority, as no order from Starfleet has come in that Uhura is aware of. They go through the Zone and into Romulan space. Three ships decloak: Romulan ships, albeit of Klingon design. The Enterprise is surrounded.
Sub-commander Tal contacts them, asking them to surrender or be destroyed, giving them an hour to comply. Kirk and Spock theorize that they would’ve just destroyed them right off normally, but they must want the ship.
We want to send you a galley copy of Laura Lam’s False Hearts, available June 14th from Tor Books!
Raised in the closed cult of Mana’s Hearth and denied access to modern technology, conjoined sisters Taema and Tila dream of a life beyond the walls of the compound. When the heart they share begins to fail, the twins escape to San Francisco, where they are surgically separated and given new artificial hearts. From then on they pursue lives beyond anything they could have previously imagined.
Ten years later, Tila returns one night to the twins’ home in the city, terrified and covered in blood, just before the police arrive and arrest her for murder–the first homicide by a civilian in decades. Tila is suspected of involvement with the Ratel, a powerful crime syndicate that deals in the flow of Zeal, a drug that allows violent minds to enact their darkest desires in a terrifying dreamscape. Taema is given a proposition: go undercover as her sister and perhaps save her twin’s life. But during her investigation Taema discovers disturbing links between the twins’ past and their present. Once unable to keep anything from each other, the sisters now discover the true cost of secrets.
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Author Elizabeth Haydon returns with a heartbreaking tale of love and valor in The Weaver’s Lament, the ninth and final installment of her Symphony of Ages series—available June 21st from Tor Books!
For a thousand years, the lands ruled by the Cymrian Alliance have been at peace. When the brutal death of a dear friend catapults the kingdom to the brink of civil war, Rhapsody finds herself in an impossible situation: forced to choose between her beloved husband, Ashe, and her two oldest friends, Grunthor and Achmed. Choosing her husband will mean the death of thousands of innocents. Siding against him will cost Rhapsody the other half of her soul, both in this life and the next.
In The Weaver’s Lament, the lines between the past and future are irrevocably blurred, and the strength of true love is tested in unthinkable ways.
This year’s Dragon Con will include the presentation of a new award: The Eugie Foster Memorial Award for Short Fiction, established in honor of the late writer and editor Eugie Foster. The Eugie Award will honor “irreplaceable” stories that “will become essential to speculative fiction readers.”
We’re excited to announce that Seanan McGuire will appear at Kinokuniya Bookstore in Midtown Manhattan on Saturday, June 11th at 3 p.m. to discuss Every Heart a Doorway, her Tor.com Publishing novella about what becomes of the children who step through to other realities, only to lose the portals to the fantastical homes they’ve found. (Read an excerpt here.) Copies of Every Heart a Doorway, as well as many of Seanan’s other titles, will be available for buying and signing!
Come spend a summer afternoon with Seanan and the Tor.com crew talking about portal fantasies, Narnia vs. Neverland, and the multiverse of magical worlds near beautiful Bryant Park. RSVP here!
Shall I compare thee to a summer’s day, Wheel of Time Reread Redux? Thou art more wordy and argumentative – just how I like it!
All original posts are listed in The Wheel of Time Reread Index here, and all Redux posts will also be archived there as well. (The Wheel of Time Master Index, as always, is here, which has links to news, reviews, interviews, and all manner of information about the Wheel of Time in general on Tor.com.)
The Wheel of Time Reread is also available as an e-book series! Yay!
All Reread Redux posts will contain spoilers for the entire Wheel of Time series, so if you haven’t read, read at your own risk.
And now, the post!
Series: The Wheel of Time Reread
Non-fiction is often overlooked for its flashier fictional counterpart, especially in the varied alien worlds and magical kingdoms of science fiction and fantasy. But with upcoming essay collections from genre authors Neil Gaiman and Kameron Hurley, we’re getting more excited for great works of non-fiction—sometimes there’s nothing better than a smart SFF fan writing critically about how and why genre works, or reading firsthand about the real lives and motivations behind our favorite stories.
To that end, we’ve gathered a compendium of essays, literary criticism, and biography that explore the craft of science fiction and fantasy, and the lives of luminaries from Hugo Gernsback to Samuel Delany. We’re sure we missed some great books, so please tell us about your favorite SFF non-fiction in the comments!
Welcome to this week’s installment of the Kage Baker Company series reread! In today’s post, we’ll cover chapters 19-21 of In the Garden of Iden.
Before we get started, the usual warning: this reread contains spoilers for the entire series, so be careful unless you don’t mind finding out plot elements and major revelations from later books. Gentle reader, thou hast been warned. The reread’s introduction (including the reading order we’ll be following) can be found here, and the index of all previous posts here.
And with that, we’re off!
Series: Rereading Kage Baker
Disney•Pixar’s Finding Dory looks to be that rare sequel that builds on all the great stuff from the first film: Instead of Nemo being separated from his dad, Dory gets scooped up and dumped into the Marine Life Institute (a.k.a. a fish hospital); there’s a whole new cast of undersea creatures to help her in her journey; plenty of whale-speak; the fearsome angler fish of the original gets replaced by a scary squid… there’s even an update to the “MINE MINE MINE MINE” seagulls with two bleating sea lions.
Doctor Who has a fine comic tradition, one stretching right back to the First Doctor’s debut in the pages of TV Comic in November 1964. Sixteen years later, the first bona fide professional work of writer Alan Moore—who would go on to become one of the most important and iconic comic creators of the modern era—appeared in the pages of the new Doctor Who Weekly magazine.
Moore wrote just five back-up strips for Doctor Who Weekly between June 1980 and October 1981—a grand total of just 28 pages, each (save four) rendered in beautiful monochrome by David Lloyd. Lloyd would later collaborate with Moore on what can be argued as the latter’s first truly great work, V for Vendetta, which first appeared in the pages of the weekly anthology, Warrior, in March 1982.
Although Moore never worked on Doctor Who Weekly’s primary comic strip, his work in the back-up pages represents some of the best of that Golden Age of British comics, a period of around a decade that began with the publication of the short-lived Action in the mid 1970s, and was followed by many others, including Starlord, Tornado, and of course, the legendary SF anthology, 2000AD. While Alan Moore is well known for his contributions to 2000AD, his work on Doctor Who Weekly, while largely overlooked, provides a fascinating look at his early development as a writer.
Tor Books is very happy to reveal The Collapsing Empire, author John Scalzi’s next book, a space opera coming to bookshelves in 2017 and available for pre-order now.
Our universe is ruled by physics and faster than light travel is not possible—until the discovery of The Flow, an extra-dimensional field we can access at certain points in space-time that transport us to other worlds, other stars.
We’re pleased to present Ruthanna Emrys’ short story “Those Who Watch” from The Mammoth Book of Cthulhu, an outstanding anthology of original stories inspired by H. P. Lovecraft from authors who do not merely imitate, but reimagine, re-energize, and renew his concepts in ways relevant to today’s readers. From the depths of R’lyeh to the heights of the Mountains of Madness, some of today’s best weird fiction writers—both established award-winning authors and exciting new voices—offer fresh new fiction that explores our modern fears and nightmares.
Edited by Paula Guran, The Mammoth Book of Cthulhu collects tales of cosmic horror that traverse terrain created by Lovecraft and create new eldritch geographies to explore—available now from Running Press!
Perhaps you believed that yesterday’s Force Awakens/Frozen crossover was the most adorable thing you’d ever seen? Well, we see that and raise it: here is a small human, in Elsa/Rey mashup cosplay, gleefully brandishing an icy lightsaber, while riding Toothless!
Take that, internet! And by all means click through for more amazing shots of the small human as she battles her way across Wizard World Comic Con in Des Moines.
It’s time we as an audience admit that Fear The Walking Dead is not good television. The show is 42 minutes of a wasted premise, unfulfilled potential, and idiotic decisions. It is all of The Walking Dead’s worst attributes magnified. All my worries about the long-term quality of Preacher stems from how quickly TWD capsized, how long it took to finally right that ship, how much of a struggle it’s been to keep it afloat, and how eager AMC was to repeat the same mistakes with the spinoff. Yes, the second season is stronger than the first, but that was an awfully low bar to hurdle. And I’m not the only one to notice the quality issues. The show is practically hemorrhaging viewers. Now, 4.8 million sets of eyeballs is still a great number for AMC (though it pales next to The Walking Dead’s 14.2 mil), but that’s also a loss of nearly half its viewership since the season 2 premiere.
With last night’s midseason finale, we’re at a good point to stop and survey. It’s easy enough to note where FTWD has gone horribly awry, but I’d rather look at how it can improve. The show doesn’t suck (although much of the fun has been sucked out of it for me at this point) but it has a long way to go before it comes anywhere close to being Must See TV.