<em>To Eternity</em> July 24, 2014 To Eternity Wesley Allsbrook and Barrie Potter If all things were normal, Stuart would be considered quite a catch. Brisk Money July 23, 2014 Brisk Money Adam Christopher It's hard out there for a robotic detective. A Short History of the Twentieth Century, or, When You Wish Upon A Star July 20, 2014 A Short History of the Twentieth Century, or, When You Wish Upon A Star Kathleen Ann Goonan A rocket story. The Angelus Guns July 16, 2014 The Angelus Guns Max Gladstone There's a war in heaven, outside of time.
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A Long Overdue Nod to SciFi and Fantasy’s Best Librarians
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Showing posts by: brit mandelo click to see brit mandelo's profile
Wed
Oct 16 2013 12:00pm

Doing Damage to the Text: Gender in Neil Gaiman’s Coraline(s)

Neil Gaiman’s Coraline is a remarkable book. Naturally, given its appeal to children and adults as well as its handsomely creepy narrative, somebody was going to make a movie out of it—and that movie was Henry Selick’s Coraline (2009). I went to see that film in theaters, and though I initially loved it—it was gorgeous, certainly—after a little while something began to itch at me. Something didn’t seem right. There had been quite a lot of revision in the adaptation, but that’s par for the course in making a movie. The text has to be adapted to fit the screen, sure. But then the real problem occurred to me, and it wasn’t that Selick’s version had made changes. I don’t much care about that on principle.

It was that those revisions had turned the initial text into its opposite, retaining the general shape of the plot but gutting the thematic content.

Neil Gaiman’s novel Coraline is a coming of age story; it’s participating in the tradition of stories in which a youth overcomes a trial to develop their identity. The book is about independence, identity, and development. The significant thing is that it is really very much concerned with having a girl as the protagonist, a girl who is fully rounded and develops on her own as a stable, coherent individual subject.

[Henry Selick’s adaptation is firmly not.]

Tue
Oct 15 2013 12:00pm

Short Fiction Spotlight: “Equoid” by Charles Stross

Charles Stross Equoid

Welcome back to the Short Fiction Spotlight, a space for conversation about recent and not-so-recent short stories. For the past couple of installments we’ve discussed recent anthologies—a favorite source of short fiction for me—but plenty of magazine issues have been released in the interim as well. So, for this column and the next, I’d like to do a little overview of some new short fiction that’s caught my eye across various periodicals. This week, there’s only one story to chat about—because it’s a long one: “Equoid” by Charles Stross.

While generally I leave the short fiction that appears here on Tor.com for the readers to enjoy on their own, the appearance of a Laundry Files novella proved too tempting to resist. In the past, I’ve written about the Laundry Files books under the umbrella of genre investigation here; I’ve also reviewed the most recent installment in the series, here. Needless to say, I’m a fan. The books do quite a lot of things I enjoy, and they’re also darkly entertaining. This story was perhaps more on the “dark” side than usual—I’d go so far as to say gruesome/deeply icky—but it also had its compulsively-readable quotient in play.

[Onward.]

Thu
Oct 10 2013 10:00am

A Shift in Tone: RASL by Jeff Smith

RASL Jeff Smith RASL, released by Cartoon Books in late September, is the complete one-volume collection of Jeff Smith’s most recent project, which initially ran in single issue comics from 2008 to 2012. Smith is renowned for the long-running series Bone, winner of several Eisner Awards, which ended in 2004—but this is a rather different sort of story. RASL is best described as a scifi noir, and it follows a parallel-universe hopping art thief/ex-military engineer (whose tag is the titular anagram, “RASL”) through his trials and tribulations.

RASL presents an obvious shift in tone and subject matter for Smith, whose books are generally kid-friendly. The protagonist, Rasl, has a violent streak, drinks far too much in order to deal with the side effects of universe-hopping in the Drift, and has several “on-screen” sexual relationships with different women; the plot is concerned with physics, the military-industrial complex, and a general theme of personal responsibility for complex problems. So, not the usual fare.

[A review.]

Tue
Oct 1 2013 12:00pm

Short Fiction Spotlight: Glitter and Mayhem, edited by John Klima, Lynne Thomas, and Michael Damian Thomas

Glitter and Mayhem Welcome back to the Short Fiction Spotlight, a space for conversation about recent and not-so-recent short stories. Last time around, I discussed the newest installment of Steve Berman’s Wilde Stories collections. In a similar vein, this week I’d like to look at a recently released short fiction anthology: Glitter & Mayhem, edited by John Klima, Lynne Thomas, and Michael Damian Thomas. This anthology—funded by a Kickstarter campaign and published by Apex—has a very particular theme, as the tagline on the back makes clear: “Welcome to Glitter & Mayhem, the most glamorous party in the multiverse.”

The stories here primarily feature roller derby, disco, parties, and a stunning number of night clubs, rendered in vivid detail by writers like Christopher Barzak, Seanan McGuire, Tansy Rayner Roberts, Maria Dahvana Headley and Amal El-Mohtar. Glitter & Mayhem cultivates a high-energy tone of risk, reward, and delight—it’s not what you’d call a serious book, though it does have its moments of darkness and contemplation. It’s also, and this should come as no real surprise based on the list of contributors, a fairly queer anthology; many of the stories herein deal with gender and/or sexuality in various forms.

[A review.]

Tue
Sep 24 2013 2:30pm

Alternative Relationships in YA: Inheritance by Malinda Lo

Inheritance Malinda Lo The sequel to last year’s Adaptation (reviewed here), Malinda Lo’s newest near-future science fiction novel for young adults—Inheritance—continues and completes the story of Reese Holloway, her friends, and the Imria. This duet of novels is firmly rooted in issues of politics, identity, and conspiracy; as I said last time around, it’s quite the X-Files homage, except with queer teenagers. Inheritance takes the reader deeper into the conspiracy behind the June Disaster, Reese and David’s adaptation, and the society of aliens that have made contact with humanity. Where Adaptation left off quite suddenly with a cliffhanger ending, Inheritance picks the threads right back up.

However, as a book Inheritance is less concerned with mystery-solving and more concerned with the developing and complicated relationships between Reese, David, and Amber—as well as their relationship to the world at large. Adaptation answered the question of what had happened to Reese and David; Inheritance works out the greater significance of that answer. But, it’s still got heaps of conspiracy, from ancient aliens theorizing to a legitimate series of government cover-ups.

[Spoilers follow]

Tue
Sep 17 2013 12:00pm

Short Fiction Spotlight: Wilde Stories 2013, edited by Steve Berman

Welcome back to the Short Fiction Spotlight, a space for conversation about recent and not-so-recent short stories. We’ve had a little delay on my end, but this week we’re back with a discussion of one of the collections I look forward to each year: Wilde Stories, edited by Steve Berman. The Wilde Stories series collects the year’s best gay speculative fiction, alongside sister volume, Heiresses of Russ, which collects lesbian sf.

I look forward to this book because it always seems to give an intriguing snapshot of the field in the preceding year: where gay speculative fiction was being published, by who—that sort of thing. Additionally, since Berman tends to seek out stories not just from the obvious sources, I frequently find myself encountering new voices through these books. This year’s collection, as Berman notes in his intro, seems to have a connection to bodies of water: plenty of lakes and oceans to be found. I’d also note that it seems to have a second theme: coming of age stories, stories about young men finding themselves and sometimes love.

[A discussion.]

Tue
Aug 20 2013 12:00pm

Short Fiction Spotlight: Interfictions Online, Issue 1

Welcome back to the Short Fiction Spotlight, a space for conversation about recent and not-so-recent short stories. For the past few weeks, I’ve been talking about chapbooks and short collections. This time, I’d like to shift back to current magazines—in particular, Interfictions Online edited by Sofia Samatar, Christopher Barzak, and Meghan McCarron alongside executive editor Delia Sherman. The first issue, released May 2013, contained four pieces of fiction alongside several poems and pieces of nonfiction.

[A discussion.]

Wed
Aug 7 2013 12:00pm

Short Fiction Spotlight: With Her Body by Nicola Griffith

With Her Body Nicola Griffith Welcome back to the Short Fiction Spotlight, a space for conversation about recent and not-so-recent short stories. Last time around we discussed a book in the PM Press Outspoken Authors Series, Report from Planet Midnight Plus… by Nalo Hopkinson, and this week, I’d like to consider another small collection: With Her Body by Nicola Griffith. This book was the second installment in Aqueduct Press’s Conversation Pieces series—a series now consisting of more than thirty volumes—and it contains three previously published short stories by Griffith, as well as a short essay by L. Timmel Duchamp.

The three stories that make up this short volume were all published initially in the early 90s: “Touching Fire,” “Song of Bullfrogs, Cry of Geese,” and “Yaguara.” L. Timmel Duchamp’s afterword, “A Word for Human is Woman,” addresses one of the threads she sees running through these three stories: the re-centering of woman as a term containing “full humanness,” and a reconsideration of the human/nature/culture relationship.  

[A discussion.]

Tue
Jul 23 2013 12:00pm

Short Fiction Spotlight: Report from Planet Midnight Plus… by Nalo Hopkinson

Welcome back to the Short Fiction Spotlight, a space for conversation about recent and not-so-recent short stories. The PM Press Outpoken Authors series is—as I’ve said before when discussing their Ursula K. Le Guin volume The Wild Girls Plus…—pretty neat. These chapbooks run around 100 pages, collecting short pieces of various sorts from their authors as well as a long interview with them done fresh for inclusion in the book. The ninth in the series, released last year though I’ve just gotten around to it, features Nalo Hopkinson. Hopkinson is a writer whose work I deeply enjoy; so, naturally, I was pleased to see her included in this handsome series of little books.

Report from Planet Midnight Plus… reprints two stories, “Message in a Bottle” and “Shift,” as well as a transcript of Hopkinson’s 2010 speech to the audience at the International Conference on the Fantastic in the Arts, “Report from Planet Midnight.” The volume closes with the quintessential long interview and a detailed bibliography (one of my favorite parts of these volumes, actually!).

[A discussion.]

Tue
Jul 9 2013 12:00pm

Short Fiction Spotlight: “To Die for Moonlight” by Sarah Monette

Apex Magazine July 2013 Welcome back to the Short Fiction Spotlight, a space for conversation about recent and not-so-recent short stories. Last month, we visited Asimov’s to see what was going on in the world of that venerable print publication. But, for this week, I’d like to talk about the newest Kyle Murchison Booth story by Sarah Monette: “To Die for Moonlight.” The novelette was recently published in Apex Magazine’s issue #50, alongside fiction by Rachel Swirsky (“Abomination Rises on Filthy Wings”) and Kelly Link (“The Constable of Abal”).

My history with the Kyle Murchison Booth stories has been fairly well recorded here—the second-ever Queering SFF post was a discussion of The Bone Key, Monette’s collection of Booth stories. (Side-note: hard to believe that was in 2010!) Suffice to say, I’m a fan of the style and the settings of these stories; they, and their protagonist, appeal to me. “To Die for Moonlight,” the newest installment, is an interesting addition to the mix.

[A discussion.]

Mon
Jul 8 2013 9:00am

The Year’s Best Science Fiction and Fantasy 2013, edited by Rich Horton

Years Best Science Fiction and Fantasy 2013 The 2013 edition of Rich Horton’s The Year’s Best Science Fiction and Fantasy, published by Prime Books, has recently been released—collecting, as it says on the tin, the best of last year’s short-form SFF. Featuring thirty-three stories by a variety of writers, from Ursula K. Le Guin to Xia Jia (translated by Ken Liu) and then some, this year’s edition has a particularly pleasing spread of contributors. Some of those are familiar; some are more new.

Of the various year’s best anthologies, the Horton series is a favorite of mine. I have reviewed past editions (such as 2011’s), and this year shares a similar tone and spread of stories with previous installments. Horton tends to include a diverse range of authors with pieces from various publications; also, because the series is more generally dedicated to speculative fiction as a whole, it tends to represent a more accurate range of the year’s greatest stories than those best-ofs that focus only on one genre or another.

[A review.]

Wed
Jun 26 2013 11:00am

North American Lake Monsters: Stories by Nathan Ballingrud

North American Lake Monsters The first collection of short fiction by Nathan Ballingrud, North American Lake Monsters: Stories, is being published this July by the ever-delightful Small Beer Press. Ballingrud’s work has previously appeared in various anthologies and magazines, including Ellen Datlow’s Teeth and The Naked City. This collection gathers together several of his published pieces—including Shirley Jackson Award winner, “The Monsters of Heaven”—as well as one story original to the volume, “The Good Husband.”

The publisher describes the collection’s thematic focus as “love stories … and also monster stories,” which matches my previous experiences of Ballingrud’s fiction: concerned with human relationships and their complexities, but also ominous and frequently dark in a way that I appreciate. Based on those past experiences, I’ve been looking forward to having a chance to read a collection of his work.

[Read more.]

Tue
Jun 18 2013 10:00am

The Ocean at the End of the Lane by Neil Gaiman: A Spoiler Review

The Ocean at the End of the Lane The Ocean at the End of the Lane, published by William Morrow, is renowned writer Neil Gaiman’s first adult novel since 2005—one many fans and critics have been eager to read for quite a while now. Generally speaking, it’s a short, poignant book that explores the dark spaces of myth, memory, and identity through the experiences of a young boy, recalled by his adult self upon a visit to the place where he grew up—the place where he brushed something larger, more grand and impossible, than himself.

As regular readers of Tor.com might recall, in early March I received an advanced copy of this book and I wrote a spoiler-free review that discussed my immediate reactions after reading it. Mostly, that consisted of exploring the novel in its larger context as well as on a thematic level. Things had to stay a step back and fairly impressionistic; it was three months early, after all. But, now, it’s not early—the book will be on shelves for readers to pounce, purchase, borrow, and wallow around with.

That means I get to return to The Ocean at the End of the Lane with carte blanche, and so here we are: a spoiler review of the novel.

[Let’s do this.]

Wed
Jun 12 2013 11:00am

Resonance, Echoes, Silence: The Ocean at the End of the Lane by Neil Gaiman

The Ocean at the End of the Lane by Neil GaimanNeil Gaiman returns to familiar territory with his much-anticipated novel, The Ocean at the End of the Lane, forthcoming from William Morrow on June 18. The story explores the dark spaces of myth, memory, and identity through the experiences of a young boy, recalled by his adult self upon a visit to the place where he grew up—the place where he brushed something larger, more grand and impossible, than himself. As the flap copy says, “When he was seven years old, he found himself in unimaginable danger—from inside his family, and from without. His only hope is the girl who lives at the end of the lane. She says her duck pond is an ocean. She may be telling the truth. After all, her grandmother remembers the Big Bang.”

The flap copy perhaps misrepresents the tone of this novel; it sounds all together more playful than this sharp, poignant, and occasionally somber tale actually is. The Ocean at the End of the Lane is Gaiman’s first novel directed toward adults since 2005’s Anansi Boys, but within it, he creates a curious tonal hybrid: the narrative is framed by an adult voice, and the content of the story is frequently outside of what would be seen in a children’s book—yet, the majority of the tale is told as by a child, with a child’s eyes and sense of storytelling. It is as if this novel settles on a middle-ground between Gaiman’s various potential audiences.

[Read more.]

Tue
Jun 11 2013 2:30pm

Short Fiction Spotlight: Recently, in Asimov’s

Asimov's Science FictionWelcome back to the Short Fiction Spotlight, a space for conversation about recent and not-so-recent short stories. Last time around, we discussed Christopher Barzak’s new collection; this week, I’d like to get back to some recent magazines—namely, the July and August issues of Asimov’s, edited by Sheila Williams. The July issue included four novelettes and three short stories; August, however, included a novella, three novelettes, and only a single short story.

Of those, the pieces that stood out to me the most were “The Art of Homecoming” by Carrie Vaughn and “Today’s Friends” by David J. Schwartz from the July issue, as well as “The Ex-Corporal” by Leah Thomas from the August issue. While each issue also contained stories in universes familiar to readers of Asimov’s (a Rick Wilber piece in July and a Kristine Kathryn Rusch in August), the stand-alones were the offerings that caught my attention the most.

[Onward.]

Tue
Jun 11 2013 10:00am

Scatter, Adapt, and Remember: How Humans Will Survive a Mass Extinction by Annalee Newitz

Scatter Adapt and Remember Annalee NewitzScatter, Adapt, and Remember: How Humans Will Survive a Mass Extinction, published by Doubleday, is the newest nonfiction offering from Annalee Newitz—familiar voice from io9 and editor of previous nonfiction anthologies such as She’s Such a Geek!: Women Write About Science, Technology, and Other Nerdy Stuff. This project is a hybrid work, a popular-science style research project that begins with the hard facts of mass extinction events on our planet and concludes, in quite speculative territory, with the technological futures we may work toward to avoid being wiped out in the next extinction.

To quote the flap copy:

As a species, Homo sapiens is at a crossroads. Study of our planet’s turbulent past suggests that we are overdue for a catastrophic disaster, whether caused by nature or human interference. It’s a frightening prospect, as each of the earth’s past major disasters—from meteor strikes to bombardment by cosmic radiation—resulted in a mass extinction… But in Scatter, Adapt, and Remember, Annalee Newitz […] explains that although global disaster is all but inevitable, our chances of log-term species survival are better than ever.

Going on to call the book a “brilliantly speculative work of popular science,” that brief introduction to the project gives a good idea of what will follow: science, history, and the future—in one bright narrative thread.

[A review.]

Tue
Jun 4 2013 4:10pm

Queering SFF Tidbit: 25th Annual Lambda Award Winners Announced

At a lovely New York City gala, the winners of the 25th annual Lambda Literary Award for outstanding LGBTQ literature were announced—including the science fiction, fantasy, and horror category. Past winners have included Catherynne M. Valente’s Palimpsest, Melissa Scott and Lisa A. Barnett’s Point of Dreams, and Nicola Griffith’s Ammonite, as well as many, many books from small presses. Additionally, a few other categories this year included books that were a little speculative, or at the very least genre-bending.

The nominees for this years’ SFFH category were: (1) Beyond Binary: Genderqueer and Sexually Fluid Speculative Fiction, Brit Mandelo, Lethe Press, (2) Chocolatiers of the High Winds: A Gay Steampunk Romance, H.B. Kurtzwilde, Clasp Editions; An Imprint of Circlet Press, (3) Green Thumb, Tom Cardamone, Lethe Press, (4) Heiresses of Russ 2012: the Year’s Best Lesbian Speculative Fiction, Connie Wilkins and Steve Berman, Lethe Press, (5) In the Now, Kelly Sinclair, Blue Feather Books, (6) Night Shadows: Queer Horror, Greg Herren and J.M. Redmann, eds., Bold Strokes Books, and (7) The Survivors, Sean Eads, Lethe Press.

[And the winner is:]

Tue
Jun 4 2013 2:30pm

Short Fiction Spotlight: Before and Afterlives by Christopher Barzak

Before and Afterlives Chrisopher BarzakWelcome back to the Short Fiction Spotlight, a space for conversation about recent and not-so-recent short stories. Our conversational focus this week will be a few stories from a recent collection by Christopher Barzak, Before and Afterlives. The collection, recently published by Lethe Press, is Barzak’s first full-length book of short fiction, following 2012’s diminutive but vivid Birds and Birthdays (published as part of Aqueduct Press’s Conversation Pieces series, reviewed here). Before and Afterlives collects previously published stories spanning from 1999 to 2011 and also includes one piece original to the book, “A Beginner’s Guide to Survival Before, During, and After the Apocalypse.”

I’ve previously discussed one of the stories included in this collection—“Map of Seventeen”—but this time around, I’d like to shift focus to a couple of the stories that I find most emblematic of Barzak’s work as it comes together in this particular book: “What We Know About the Lost Families of ——- House” and “Plenty.” I’ll also spend a little time on the story original to the collection.

[A discussion.]

Tue
Jun 4 2013 12:00pm

Book as Objet d’art: Make Good Art by Neil Gaiman and Chip Kidd

Neil Gaiman Make Good Art Chip KiddAfter it was given in 2012, Neil Gaiman’s commencement address to Philadelphia’s University of the Arts lit up the artsy, writerly, creative ends of the internet. It was, all at once, an uplifting speech with emotional content, a professional speech with good advice, and a humorous reflection on a life spent making art. So, it’s not much of a surprise that it was picked up to be published in a unique form: a small hardcover book designed—and the word designed is really important here—by Chip Kidd. It’s a book that is, itself, art. The form is the content, with this piece; the choice to make a physical and visual object out of a public speech is a creative one, and this book is more a product of Chip Kidd’s art than not.

The petite, brightly colored book is titled simply Neil Gaiman’s ‘Make Good Art’ speech. (And yes, the period is included.) There is background “floating” text on the front cover beneath the title that reads, “Fantastic Mistakes.” Kidd, the designer who adapted the speech to this visual form, primarily uses four colors—a pale blue, a soft butter-yellow, a bright red, and white—for backgrounds, designs, and text alike.

[A review.]

Thu
May 16 2013 4:00pm

Decoherent Histories: Ghost Spin by Chris Moriarty

Queering SFF Ghost Spin Chris MoriartyThe third and final installment of Chris Moriarty’s Spin Trilogy, Ghost Spin, releases at the end of May—nearly seven years after the initial release of Spin Control, itself the brilliant follow-up to her debut novel, Spin State. In much the same way that the second book differed significantly from the first in tone, focus, and structure, Ghost Spin is an ambitious attempt to once again provide a fresh angle on this universe and its problems—this time with space pirates, fractured AIs, and a desperate two-pronged search for answers to questions that are at first personal, but are ultimately the force that will shift the direction of the future.

The story revolves primarily around Catherine Li and Cohen, with the addition of other narrators, including ex-Navy captain, now-pirate William Llewellyn. In the opening chapter, Cohen is trapped on a backwater planet recently taken over by the UN—and, as a security team closes in on him, he commits suicide. His component parts are auctioned off almost instantly, as is the usual procedure for decoherent AIs; however, he’s left a trail of clues for Li, and the only hope for what he was trying to do, to save, is that she’ll find and pursue them. Li herself, without Cohen’s protection, is also in plenty of danger—from Nguyen, from the Syndicates demanding her extradition, and elsewhere. The question of what Cohen was up to, as well as how she can finish the job and put him back together, drives Li to make a series of dangerous and significant decisions that might alter the course of humanity’s future.

[A review.]