Next week’s chapter is too crucial to shoehorn into a two chapter post, so despite the best laid plans of mice and me (sic), this week I am forced to satisfy your desire for Joe Abercrombie with a single one.
In recent chapters The Blade Itself has relied on shifting points of view. It’s a pattern that ends this week by telling an entire chapter from Collem West’s point of view. By staying in West’s head and not switching to Ferro or Ardee, Abercrombie is forcing us to rely on West’s bias. The events of the chapter demand that, but it makes his choice of narrator-hopping in previous chapters worth deeper examination for anyone interested in the impact points of view have on the narrative.
On to one of the most horrifying moments in the First Law Trilogy and fantasy at large. Just look at the title...
Two sentences: Major West lets Ferro and Yulwei enter the Agriont. He mopes about how rough his job is, then goes home where he flies into a range and abuses his sister.
Eleven Sentences: Collem West is the lone voice of sanity in the Union military complex—just ask him. Running around solving problems for Marshall Burr, West is tasked with settling a dispute at the Agriont’s gate. Despite proper paperwork, a savage looking woman and old man are denied access by the guards unless they disarm. The pair, which turn out to be Ferro Maljinn and Yulwei, are less than thrilled with the idea. With a cool head and a some credibility earned in the Gurkhish campaign, West mollifies the situation and gain the travelers entry.
Continuing to wallow in his sacrifice for the good of the Union army, West goes home. Before he opens the front door he hears Ardee, who has let herself in. Fearful of walking in on her with Jezal dan Luthar, he knocks before entering. She greets him with a glass of wine in hand a decanter in the other. West finds a letter on the desk discussing a future rendezvous with who he assumes is Jezal.
Unable to suppress his rage at the thought of Jezal and Ardee in a relationship, seeing only how it will impact his standing in society, West beats her. Unbowed by his aggression, it reminds them both of a childhood spent beneath the thumb of a violent father, West’s escape, and the guilt he feels that he left Ardee behind. West’s apologies fall on deaf ears and she leaves.
Important Characters Introduced: None.
Minor Characters Introduced: None.
Quotes to Remember:
There was nothing to be gained by losing his temper. There was never anything to be gained by that.
This is like a big flashing proceed with caution sign on a highway. Where once we a had a pillar of heroism, we will soon have someone decidedly less. Abercrombie seems to be saying we all have our flaws and the ones who would try to appear most righteous are the least of us in truth.
This was always the way of it. Back and forth: from Burr’s offices to the various commissary departments, to the commanders of companies, of battalions, of regiments, to the stores scattered around the Agriont and the city, to the armouries, the barracks, the stables, to the docks where the soldiers and their equipment would begin to embark in just a few short days, to other departments and back to where he began, with miles walked and nothing done. Each he night he would drop into bed like a stone, only to start up a few hours later with all to do again.
The sexy nature of the military! Stunningly accurate based on my experiences, though, and altogether uninspiring from the perspective of storytelling. A bold choice! Few authors are willing to discuss the nature of bureaucracy. Although Abercrombie only touches on it briefly—he is after all trying to entertain us—the fact he’s willing to mention it at all is nearly as revolutionary as his more obvious efforts at fantasy coup d’état.
Diagraming the sentences: Up until “Nobody’s Dog” we see Ardee only as a someone trying to exercise her limited amount of power over the men in her life. While the nature of those relationships is troublesome, it does not make her a victim of anything other than a crapsack world (credit Liz Bourke). All that changes in an instant when West turns into the hulk of domestic violence. Let’s backtrack for a moment though.
The chapter opens with West bemoaning his lot in life. We learn several important things about the state of the war effort, namely that there are not nearly enough weapons for the troops (a result of the nobles failing to provide for their levies) and no one cares except West and Marshall Burr—and only the former is going to do anything about it. There’s also a fascinating back and forth between West and the commanding officer of the armory. West orders the man to make more weapons and he refuses, not only on the grounds that its not within his responsibility, but because he refuses to takes any kind of order from an upjumped commoner.
This is a crucial scene to set up the second half of the chapter where the relationship between West and Ardee comes to a head. Abercrombie shows us the pressure West is under and the impotence he feels trying to alleviate it. Finding a note from Ardee to Jezal is the catalyst, but it’s this that provides the fuel to West’s anger.
Of all the violence in The Blade Itself thus far (and really there hasn’t been that much given Abercrombie’s reputation), West’s abuse of his sister is the most gruesome in my opinion. He hits her, bounces her head off a wall several times, shakes her, and chokes her. The nature of the violence isn’t as significant as the cavalier ease with which he carries it out; there is no fear of retribution.
Ardee breaks him out of his mania not by reacting in kind, but instead taking it with a dead behind the eyes calm. It jolts him because it reminds West of the abuse he suffered at the hands of their father. More startling though is that it reminds him of his guilt for leaving his sister alone in that house when he left for war. He did not rescue her from an abusive father, lying to himself that it stopped when he left.
It’s a deftly nuanced portrayal of an abuser, one that probably works so well it will scare off some readers. Abercrombie has taken the character we most wanted to love, the first through the breach and the commoner rising through the ranks on merit, and makes him quite possibly the most loathsome individual of the bunch—someone who beats on those incapable of fighting back.
Gut turning and triggery, “Nobody’s Dog” turns out to be a deeply disturbing title to a deeply disturbing chapter.
Next Week: Abercrombie finally let’s us see what Bayaz is planning and the role everyone will play.