Sat
Nov 6 2010 12:05pm
Apollo 18 Landing March 4th, 2011

Joining the growing trend of “reality” based SF and horror, Timur Bekmambatov, director of Night Watch, Wanted, and the coming Abraham Lincoln: Vampire Hunter, is “creatively spearheading” a movie called Apollo 18, which supposes that the real-life mission (officially canceled by NASA in the early 70s) encountered aliens. Awww yeah.

Since Apollo 18 has been acquired by The Weinstein Company, there should be no shortage of trailers, posters, and so forth in advance of the picture's March 4th 2011 release. The premise, SF alternate histories based on the Apollo missions, is something I’m surprised we haven’t seen more of, and though Timur Bekmambatov’s work hasn’t yet demonstrated a terribly strong connection with “reality” this idea certainly sounds intriguing.

There are several other similar—in the sense of being “reality” based SF dealing with aliens—movies on the way, including Oren Peli’s Area 51 and the much-anticipated JJ Abrams/Steven Spielberg collaboration Super 8. While any seeker of the truth worth the tinfoil lining in his/her hat is surely glad to see that Hollywood is acknowledging the existence of aliens, we now need to improve reality; the absence of room-sized computers with hundreds of flashing lights and flying cars is having a terrible impact on 21st century society.


Danny Bowes is a playwright, filmmaker and blogger. He is also a contributor to nytheatre.com and Premiere.com.

6 comments
Michael Burke
1. Ludon
This will not be the first Apollo 18 mission to make it to the screen. The miniseries based on James Michener's Space featured an Apollo 18 Moon Mission. And, one of the patches from that mission can be seen on Data's jacket in Goonies.



While any seeker of the truth worth the tinfoil lining in his/her hat is surely glad to see that Hollywood is acknowledging the existence of aliens, we now need to improve reality; the absence of room-sized computers with hundreds of flashing lights and flying cars is having a terrible impact on 21st century society.

And while we're at it, Where are the PanAm Space Clippers and why can't we use that cool rocket backpack Professor Robinson used during the Jupiter II Mission?
Ron Hogan
2. RonHogan
And of course there's They Might Be Giants' Apollo 18, which is why I'll really be impressed only if the film plays "Space Suit" over the closing credits.
James C. Wallace II
3. James C. Wallace II
There was also a PC-based game/simulation released back in the late 90's called Apollo 18. Released by Project Two Interactive & AIM Software, Inc.; it was an amazing mission simulator based on actual NASA/Apollo equipment and procedures. Unfortunately, it never took off (so to speak) and was shelved by the parent company before it ever really developed a following. I happened to get an advance copy during my tenure as Planetarium Educator for SpaceQuest Planetarium at The Children's Museum of Indianapolis. I used it during summer camps and it was a big hit with kids, although they preferred the mission fialures rather than a successful landing on the moon.
Nonetheless, it never went beyond one summer in 98 and then faded away.
James C. Wallace II
4. Sam Davis
Olatune Osunsanmi (guy who directed The Fourth Kind) is directing a script that Warner Bros. picked up just a month ago called Dark Moon.

The storylines are exactly the same. Only thing is, I don't know if this Apollo 18 is gonna be a found footage deal as well, as that's how Dark Moon will be presented.

Looks like they'll be releasing it way earlier than Dark Moon (if it even comes out at all now) but it's odd that two films that are almost completely identical, are on the way.

As it deals with aliens though, I'll probably end up seeing both anyway...
Eli Bishop
6. EliBishop
Sam: Yeah, it's kind of odd for two extremely similar movies to be in production at the same time; it's just not at all unusual. Here's a partial list:
http://www.11points.com/Movies/11_Damn_Near_Identical_Movies_That_Were_Released_at_the_Same_Time ...although they left out the multiple weird spates of body-switching comedies in the '80s, '90s, and 2000s.

I guess this can be explained by some reasonable process of familiar cultural ingredients generating multiple script pitches which bounce around Hollywood until several executives notice them at the same time, etc., but I'd really like to imagine that it's the result of some occult process, or a message sent by aliens who only have access to the subconscious minds of film producers.

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