Sep 9 2010 12:47pm

Book Review: Clockwork Angel by Cassandra Clare (The Infernal Devices, Book 1)

Following the untimely death of her aunt, twice-over orphaned Tessa Gray sets out from New York to London to live with her older brother. Virtually penniless, having spent every last cent to pay for the funeral services, Tessa makes the trip across the Atlantic with her hopes high, for at least she and Nate will be reunited again.

Upon reaching England, however, she is greeted not by her older brother but by two crones that introduce themselves as Mrs. Dark and Mrs. Black, bearing a letter written in Nate’s hand. Though Tessa is reluctant to leave with the “Dark Sisters” (as Nate refers to them in his letter), she trusts in her brother’s wishes, only to find herself trapped in a nightmare. The Dark Sisters, in fact warlocks, claim to have abducted Nate and threaten to kill him unless Tessa complies with their strange demands. Soon, Tessa learns that she is no ordinary human, but possesses the power to transform herself into another person—dead or alive. Even more unique, however, is Tessa’s ability to touch the minds of those whose forms she assumes—recalling a dead girl’s last thoughts and a vampiress’s secrets, amongst others. The Dark Sisters, finally deeming Tessa “ready,” have plans to marry her off to their master, the mysterious “Magister” of the Pandemonium Club, and all hope seems lost for young Tessa…

That is, until a mysterious, handsome young Shadowhunter comes to Tessa’s rescue. Soon she is swooped away again into a new world, seeking refuge with the Shadowhunters—a society of nephilim (that is, the offspring of angels and humans) charged with the duty of protecting humanity from Downworlders (that is, demons, warlocks, vampires, etc) at any cost. Tessa and her brother are keys to a much larger conspiracy, as the Shadowhunters soon discover the Pandemonium Club and its Magister have hatched a plot to rid the world of Shadowhunters altogether, by means nefarious, and mechanical.

Of course, in the midst of all this gloom and doom, Tessa finds time to fall in love with not one but TWO gorgeous Shadowhunters, who (of course!) find Tessa irresistible. Besides trying to save the world and her brother, Tessa also must come to terms with the dictates of her heart.

Clockwork Angel, published by Margaret K. McElderry Books (Simon & Schuster), is the first book I have read from Cassandra Clare (I have been assured that the Mortal Instruments trilogy is not a necessary prerequisite to reading Clockwork Angel), and as an introduction, I must say that I am somewhat… underwhelmed. Ms. Clare’s writing is certainly readable and entertaining, but in the way of bad reality television or MTV shows.

The overarching story—that of the mystery of the Pandemonium Club, the identity of The Magister, and their plans to overthrow the Shadowhunters—lacks complexity and tends towards the hyperdramatic and predictable, but for all that is generally well-paced, fun stuff. Though the quality of the prose and general flow of the novel lacks any sort of writerly finesse in its blunt simplicity and affinity for the cheesiest dialogue I have read in a very long time (i.e. Tessa to The Magister, expressing terror at his desire to marry her: “But why? You don’t love me. You don’t know me. You didn’t even know what I looked like! I could have been hideous!”), the story in itself isn’t bad. That’s not where the brunt of my disappointment with the novel lies.

No, what I take issue with is the novel’s unconvincing period setting, its ridiculous characterizations, and above all, the same Twilightified-Mary Sue heroine meets two superhawt supernatural dudes that fall for her trope.

First, the setting and period. Purportedly, Clockwork Angel is a steampunk novel, although the only real steampunkish thing about it is the time period (set in Victorian London) and the presence of a slew of killer automatons. To me, this does not a true steampunk novel make, as Clockwork Angel lacks either necessary quality (the centrality of steam-powered aesthetic/technology, or the socio-economic critique) to be truly considered a work of the steampunk subgenre. Furthermore, the character dialogue feels as though an American author is trying—unsuccessfully—to write in the Victorian period. In truth, this novel could have taken place in any other time period, in any other country, and it still would have been the same book.

With regard to characterizations, Ms. Clare’s cast in Clockwork Angel similarly leaves much to be desired. Heroine Tessa is nothing if she isn’t a sickening hybrid self-insertion blank page heroine Mary Sue—she’s so very understanding of others’ faults (at one pivotal point in the book, for example, “Tessa felt a wave of frustrated anger, but pushed it back. Sophie had just had a friend die in her arms; she could hardly be blamed for forgetting a key”), mindlessly devoted to her beloved brother (no matter how terribly he has wronged her), generally pretty and tall, with the only drawback to her appearance being how thin and pale she is, and how her hair is brown. Most importantly, Tessa is SUPER!POWERFUL. No one knows what exactly her shapeshifting powers are or what they mean, except that the Magister wants her as his bride and that her abilities have never been seen before. Of course, the Magister isn’t the only one after Tessa—so too is best friend Shadowhunter Will (the dark, sexy, tempestuous bad boy) and Jem (the light, tempered and sensitive good guy). Neither of these boys have any real reason to fall in love with Tessa, but of course they both do, sparking a huge debate in Ms. Clare’s formidable fanbase to the cries of “Team Will!” or “Team Jem!” To that end, I will say that both Will and Jem are decently developed characters with a lot of potential; Will, with his clearly troubled and guarded past, and Jem with his own terminal illness. Both Will and Jem are passably crushworthy, if a reader is so inclined to form literary crushes and fly the Team Will/Jem flag.

The point, however, is that Tessa, the supposed heroine of this story, is not worth rooting for in the slightest. With all the personality of industrial paint, Tessa is as “blank page heroine” as you can get. As YA author Sarah Rees Brennan describes the phenomenon:

[The Blank Page Heroine] is in a lot of booksI don’t mean to pick on romance, because sadly I have seen her in every genre, including my ownand sometimes she seems to be there as a match for the hero who won’t bother him with things like “hobbies” and “opinions.” Sometimes she is carefully featureless (still missing those pesky hobbies and opinions) so that, apparently, the reader can identify with her and slot their own personalities onto a blank page. As I don’t identify with blank pages, I find the whole business disturbing.

What is it about this particular type of heroine, that she keeps popping her nondescript head into genre fiction novels? (O, Stephanie Meyer, what hast thou wrought!?) I prefer characters that are flawed, challenging, and engaging—not soppy, uninspired, oh-so-desirable-for-no-discernable-reason stand-ins.  

Doubtless, there are many fans of this book, the series, and the trope that will disagree with me. But in this reader’s opinion? Clockwork Angel, though not without its entertainment value and high points, left me cold and unimpressed.

Rating: 5/10 - Meh.

FTC Disclosure: This review is based on an advance review copy received from the publisher.

Thea James is one half of the maniacal book review duo behind When she isn’t voraciously devouring the latest and greatest in speculative fiction, she can be found idling time away on Twitter, watching bad horror movies, and making general plans towards world domination.

1. Ceilidh
Great review.

You're not missing much with her other series, although I've only read the first one. It was decidedly meh and read like fanfiction (which, given Clare's spotty past in the fanfiction medium and her plagiarism scandal in the Harry Potter fandom, does not surprise me.) If you read any fanfiction based around Draco Malfoy and Ginny Weasley, you've basically read City of Bones.
2. katiebabs
I have this book sitting in my TBR pile. Wasn't Clare accused of plagarism based on her Harry Potter fan fiction?

Perhaps Clockwork Angel is her ode to Twilight?
3. Scooper
Great review. I love that you gave examples which made me understand how your opinions were formed.
4. wandering-dreamer
Glad to finally find a review that isn't some random person on their blog flipping out over how hot all the characters are (Cassie Clare retweets so many of them I was starting to wonder if the book could be the best book every). I thought TMI series was okay, not fantasic but certainly readable and she's done some interesting things with the paranormal creatures which are currently popular, but nothing outstandingly amazing.
And I had a good snicker at your quote from SRB, not because of the quote but because I'm pretty sure she and Cassie Clare are good friends, just a bit of irony.
6. jadesong
I wasn't impressed with Clockwork Angel.

I completely agree with your statement about the time period. To me it seemed like CC kept explaining how things were in Victorian Society. Through Tessa, usually - especially about male-female interaction and what was 'right' and 'proper'.

Maybe because to me, she felt more like a 21st century girl who time-traveled, rather than someone really from the 1800's.
7. Corinda Humphrey
As a Young Adult Librarian I find all four of the books published so far in this series to be entertaining and a great read as Young Adult novels. I'm not expecting high literature here, but I really enjoyed the new mythology Clare has created with her angel/human hybrids and their unique spell casting with "stele". These works were never intended to be on Charles Dickens or Jules Verne's level....but more appealing to a Young Adult audience and us adult fan girls as well.
8. Bayon
Actually, Clockwork Angel isn't supposed to be steampunk. It's supposed to have steampunk elements, like with the robots and stuff. The world of Clockwork Angel is the same as the one in the Mortal Instruments, in which fairies and stuff live in our world, but unbeknownst to us.
Any problem I did have with this book though, was how Clare tries to make it sound British, "poppet."
10. writer in a black sweater
This review....i couldn't have said it better myself. Turns out i must write a review for a YA section in the newspaper, which must include four things one may "learn" from this book, yet i have learned nothing. i've learned more from this cleverly worded review than the book itself. Though the book does not lack the same level of face-value entertainment that Twilight does, they are undoubtedly identical in the fact that we must put a pause to all critical thinking to enjoy it, and wait until we finally close the book to say "...What did i just read?"
11. Roslin
Exactly what I thought. Great review.
12. dylan7423102
i really liked the book and id like to see you haters write better
14. Cece
Great review. The book is entertaining, but disastrously written with almost zero attention paid to any kind of writerly-things (like pacing, editing, good dialogue, good characterization, good prose etc) because I think at this point of time, Cassandra Clare doesn't need to worry about all those pesky things. Her hot boys are the bread and butter, after all. It's sad, because it's a fun story. Just wish it were written better (or even decently).
15. Liddy Marooni
TBH: I thought that TID was wayyyyyyyyyyyyy betterrrrrrrrrrrrrrr than TMI, but that is my personal opinion. There is much more suspense in TID than TMI. I think in the TMI series they should have stopped with the City of Glass, or whatever it is called.

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