Mon
Jun 21 2010 3:37pm

Illustration Master Class 2010

Last week, eighty-four science fiction and fantasy artists gathered at Amherst College to attend the third annual Illustration Master Class, Rebecca Guay’s finely-tuned week-long workshop spearheaded by faculty artists: Rebecca, Boris Vallejo, Dan Dos Santos, Donato Giancola, Scott Fischer, Irene Gallo, Julie Bell, and myself.

Each day started at 10 am, and contained two one-hour lectures, intense one-on-one instruction, three all-you-can-eat meals, and an evening of hard work that carried on long into the night and early morning hours.

A set of assignments from art directors Irene Gallo and Jeremy Jarvis drove the students toward an illustration by week’s end, starting with thumbnail critiques and ending, as best they could, with a finished painting.

Third time’s a charm as we rocked the attendees with killer lectures that ranged from practical nuts and bolts, like shooting reference and canvas preparation, to inspirational and philosophical issues about what inspires us to paint, and dealing with the dreaded question, “where do you get your ideas from?”

This year’s powerhouse guest instructors were James Gurney and Jeremy Jarvis. Jarvis knocked the artists out with frank and funny insights of the art director’s perspective that brought down the house. Jim Gurney stunned them with his timeless painting process of pictures from Dinotopia: Journey To Chandara, and then rocked their world again with the greatest lecture on color this artist has ever seen.

Donato explained his rise through the business with a lecture on ‘Why I Paint,’ while Dan Dos Santos and Scott Fischer delved into how they construct their paintings with reference bending and bent our minds as well. Rebecca Guay stirred their imaginations with a beautiful array of paintings that rely heavily on her unbridled drawing skills. And of course, Boris and Julie showcased their ability to dream up such maniacal creatures.

Tor.com’s Ms. Gallo explained how the whole publishing biz works, with new commentary on what’s going on with e-publishing. I tested my personal theories about painting with a lecture on ‘talent.’ The students were enthusiastic to embrace the idea of Deep Practice and focused ambition.

Laughter was a key element for weathering the fourteen- to sixteen-hour days that seem a hallmark for the enthusiasm that radiates through the attendees. I commented during the intro to the workshop that we are so serious about painting that no one needs to act serious. We already knew: they were there to pour their hearts out on paper and screen. And pour they did, as evidenced by their work.

We painted, preached, and produced through the week with the kind of focus rarely seen in the art world. The students listened to our coaching and engaged the process needed to fire their imaginations.

Every year, we try to give the artists every last ounce of our experience, and every year we’re amazed at the progress and the breakthroughs. We’re exhausted like the students, but already looking forward to next year’s Illustration Master Class.


Greg Manchess is counting the days to IMC 2011. For many more pictures, click here.

11 comments
Chris Whetzel
1. chriswhetzel
I love that you guys have an IMC gang-sign.
Mike-ptda
2. Mike-ptda
IMC 2010 was an inspiring event. The Masters, the pros, the amateurs, and people like myself... the part time dabbling artist all working together for the same reason: the love of illustration, story and art.

For me, for the first time in my life I was able to be an artist for over a week. Some days were easy, other times I ran into some tough anatomy problems... and of course those pesky overlap issues... one Eskimo overlapping another at the shin... Greg Manchess stood his ground and set me straight with a rigorous response: "OVERLAP FOR GODS SAKE!" :)

Cheers to all who attended, and thank you to all the Masters for their time, frankness, Bluntness, humor, and most of all for sharing their skill and giving to other artists.

Mike
Irene Gallo
3. Irene
Because there are never enough pictures!:
http://i4.photobucket.com/albums/y141/igallo/IMC2010_a.jpg
Dominick Saponaro
4. SwashbuckleDom
Currently in the studio as I type this with my artistic batteries at full charge! Thanks again to all the faculty for their time and generosity. You guys rock!
Mike-ptda
5. SamWeber
Any chance of an IMC slideshow of the finished paintings?
Irene Gallo
6. Irene
Sam - I hope people post them on the IMC message boards. So many people where either done or close to it. I'll keep my eye out for it.

Also, Imagine FX is going to be picking a few of the paintings and running an article on those students.
Mike-ptda
7. Christina Hess
It was an awesome time and I learned so much...again! Thanks for posting Irene!
Mike-ptda
8. Steve Linberg
0 for 3 now on finishing a painting during the week, but 3 for 3 on being pushed in unexpected ways and having the time of my life.

Thanks to all my fellow students, and to our indefatigable instructors.
Tara Chang
9. tlchang
I have so appreciated all the posted photos and commentary throughout the week as I've had to watch this one via purely vicarious means... It all looked awesome and I missed you all terribly!

Thanks for the write up Greg (and all the pictures Irene! I just went through your 200+ flickr set. Tears. Truly!)
Mike-ptda
10. James "Flynn" Gurney
Nicely written sum-up, Greg, but you were too modest to mention that your presentation about the cognitive basis of learning completely inspired and informed the group, as well as providing a bunch of running jokes. Your black-belt confidence in approaching a canvas inspired the faculty as much as it did the students.
Mike-ptda
11. Steven Anderson
Great write-up, Greg. Thanks to you and all of the multi-talented faculty at IMC 2010. It was yet another awe inspiring and informative experience..

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