Thu
Mar 18 2010 11:20am
Avatar: The Last Airbender Re-Watch: “The Avatar Returns” (episode 102)

In this episode...

Having been alerted to Aang’s presence at the Southern Water Tribe village, Zuko launches an attack. Sokka’s pitiful defenses don’t stand a chance against a squad of firebenders. The situation looks hopeless until Aang swoops in and shows Zuko that a fully trained airbender can hold his own in battle. Rather than risk the lives of the water tribe, Aang agrees to be taken as Zuko’s prisoner. Sokka and Katara set out on Appa to rescue their new friend. With Sokka and Katara’s help, Aang escapes Zuko’s ship, and the three set out on a journey to the North Pole, where Aang and Katara hope to learn waterbending from a master.

 

 


John

This episode does a lot to redeem my issues with episode 101. There’s lots of cool moments in this one, and by the end of the episode we have a much clearer idea of what the show is going to be like. There’s still some parts I found overly goofy (like when Aang suggests they try fighting the Fire Nation with “fun” sometime), but overall it’s much more tolerable in that regard. Despite my misgivings about this overemphasis on goofiness early on, it does kind of show just how far Aang comes along as the series progresses and he starts to realize just how much the world is relying on him.

Most of my favorite moments in this episode have to do with the action. We saw some bending in episode 101, but I felt like this episode is really where I got a good idea of what the characters would be capable of. Like when Zuko storms the Water Tribe’s beach and hurls some fire at Aang, only to have Aang whirl it away with his airbending.

That was cool, but I kind of feel like the show really turned a corner for me when Aang escapes from the Fire Nation guards with his hands tied behind his back. It felt like the worldbuilding sort of cohered in my mind, like I could suddenly see and believe how these societies could have developed and honed these bending powers and incorporated them into their lives—including, of course, for warfare and defense.

His subsequent fight with Zuko is a lot of fun too, and shows off more of the power of what an airbender can do. Fire seems to be the obvious choice for best offensive weapon, so I always found it interesting in the series when they were able to show the various ways in which the other elements could battle and sometimes equal fire in battle.

The fight culminates, of course, with Aang plunging into the water and unknowingly triggering the Avatar State—a moment that at this point in the series we don’t know anything about except that OMG, IT’S SO COOL. That’s one of those sense-of-wonder moments that hits you like, WHOA—I gotta stick around and find out what’s up with THAT.


Matt

Awesome shot as we pick up where we left off, with the flare falling in a creepy orange sky, tilt down to Aang and Katara returning to the village, ashamed of their mistake.

It doesn’t take long for the series to settle into the action, angst, and ever-endearing Appa moments that make the show so good. Aang messed up big time, and now he has to deal with two threats. First, the Southern Water Tribe reacts ... coldly? ... to the Avatar. Aang accidentally sets of a flare on an abandoned Fire Navy ship, leading Zuko and his firebenders straight to the Water Tribe. Sokka and GranGran want Aang gone. Only Katara stands by him, going so far as to banish herself to prove that her tribe is making a mistake. Second, one seriously ticked off Fire Prince is on his way to the village.

When Zuko’s ship arrives, it’s up to Sokka and a handful of kindergartners to fend off the attack. Did anyone ever think Sokka stood a chance of defeating the Fire Nation alone? Face paint does not a warrior make, as is clearly indicated by how casually Zuko stuffs our club-wielding water tribesman. Still — nice throw with that boomerang. It had, what? 30 seconds of hang time?

Aang swoops in on a penguin to rescue the Water Tribe, putting an end to the silly argument about goofiness vs. seriousness in the series. Aang’s line about “You should try [fighting the fire nation with fun] sometime” is rather appropriate, considering his mode of attack. We will see this throughout the season. Aang’s ability to be loose and have fun gives him an edge over his dour and serious opponent, Zuko. Moreover, until episode 1.16 “The Deserter,” Uncle Iroh is the most powerful firebender we see. He fits this mold of easy-going and fun-loving. In 1.05, we meet the season’s most powerful earthbender, who also fits this mold. Perhaps there is an important lesson here. Take it easy! Enjoy the little things, like penguin sledding and koi surfing. As we’ll see soon enough, doing so saves Aang and his friends on more than one occasion.

I totally agree with John on the awesomeness factor of the Avatar State. When Aang hulks out like this in the movie, it’s going to be very cool.

Once the much anticipated film is released, there will be plenty of time to talk about comparisons, so I don’t want to dwell on that here. Still, there is an important scene in this episode featured in the second trailer. GranGran delivers the line “He will need you. And we all need him.” Not word for word what she says here in the show, but the sentiment is the same. Aang will give the world hope. And he needs Katara’s help. She gives Sokka and Katara a gift for their long journey — two bedrolls. Keep an eye on these sleeping bags throughout the season. They are not important to any significant aspect of the plot, but they represent the first of dozens of examples of the fascinating and attentive way that Avatar handles the relationships between characters and objects. In most shows, character costumes and weapons are taken for granted. The most notorious example of this that I can think of is Highlander: The Series, where one minute McCloud is jumping from rooftop to rooftop in skin-tight jeans and a billowing trench coat, and the next minute he whips a huge sword out of ... somewhere ... and fights with it. Here, if Aang and company need to make a quick getaway, those bedrolls are gone forever. If Sokka loses his trusty club/ball/stick thing, he will have to make another one. Often, objects are significant parts of characters’ identities. Think about Iroh and his tea, or Zuko and the conspicuous dual swords hanging on the wall of his quarters. Think about the lengths Aang goes to in this episode alone to retrieve his staff. And think of, well ... as Sokka says:

“I’m just a guy with a boomerang.”

Well said, Sokka. Well said.


Jordan

This is the episode where the show really starts cooking.

Something that is interesting to think about in retrospect is how obviously intimidated Sokka is by Aang. Of course, he would be. At this point in the series he is very anti-bending, but he is so clearly threatened by Aang.

We know that his father left Sokka to “protect” the town. The Fire Nation attack shows a Sokka that we don’t see much of for a good part of the series. He steps up and attempts to protect his village, because it is all he has ever known to do. He might not have succeeded in stopping the attack, but he showed his courage. He stood his ground until he was literally toppled over by the Fire Nation ship. Boy cares about his honor, like some other young teenage boy I know...

I never really thought about the similarities between Zuko and Sokka. They both live (at this point in the story) to make their absent fathers proud and in this episode they both come so close and yet don’t make it.

I remember watching this episode for the first time and thinking, “Wow, that angsty Fire Bender sure caught Aang fast.” Not, of course, knowing Aang would kick some Fire Nation ass five minutes later. I do think it was a cool decision to have Zuko and Aang meet so early on in the series. I was expecting an episode or two more of “the chase” initially.

The guys haven’t said much about Katara’s bending in the final fight sequence. She was so weak, all she could do was cover guys in ice. Compared to the Katara of later seasons, it was fun to remember where she started. While Aang might have done the heavy duty bending in that sequence, all three of them did their part. Katara with her ice and Sokka’s retrieving Aang’s glider. An angry Zuko grabs the glider just as Sokka gets his hand on it and ... yeah, that part always makes me jump. (This beat has a great throwback to earlier in the episode. First, Zuko hits Sokka with his broken spear doot-doot-doot. Then Sokka gets some payback, hitting Zuko with the glider staff doot-doot-doot.) Appa showed his commitment to the team by going to Katara and Sokka when Aang needed help. Sokka’s ecstasy at Appa finally flying was probably the happiest moment he has had in the show thus far.

As usual, Iroh had his moments of humor like being passed out as Aang was searching for his glider and his astonishment at Appa flying over him while yawning. But he was involved in the most important exchange for me in the episode.

“Good news for the Fire Lord, the Avatar is nothing but a little boy”.

Only to be met with Zuko facing reality.

“Yeah, but that little boy did this.” Facing his ice-wrecked ship.

He has no idea what’s coming...


Attention First-Time Avatar Watchers: Our posts will continue to be spoiler-free (except for the episode we're discussing), but be aware that spoilers for future episodes will abound in the comment thread below. We wanted to keep the comment threads future-spoiler-free as well, but it will likely prove impossible and it would impede our ability to analyze the series in retrospect.

Up next: The Southern Air Temple!


« Episode 101 | Index | Episode 103 »


 

Matt London is an author and filmmaker who lives in New York City. He is a graduate of the Clarion Writer’s Workshop, and a columnist for Tor.com. His fiction is forthcoming in the anthology The Living Dead 2. He holds a BFA in Film Production from New York University.

Jordan Hamessley is a children’s book editor at Penguin Books for Young Readers where she edits the Batman: The Brave and the Bold and Chaotic publishing programs, as well as developing original series. She is also an assistant editor for Lightspeed Magazine. She can be found on twitter as @thejordache.

John Joseph Adams (www.johnjosephadams.com) is an anthologist, a writer, and a geek. He is the editor of the anthologies By Blood We Live, Federations, The Improbable Adventures of Sherlock Holmes, The Living Dead (a World Fantasy Award finalist), Seeds of Change, and Wastelands: Stories of the Apocalypse. He is also currently the fiction editor of Lightspeed Magazine, which launches in June 2010, and the co-host of Tor.com’s Geek’s Guide to the Galaxy podcast. 

14 comments
Chris Meadows
1. Robotech_Master
Here's my own review of "The Avatar Returns", which I posted on Avatar fan/discussion site AvatarSpirit.

Another great Avatar fan resource, by the way, is the Avatar Wiki. And the Avatar TVTropes page is rather comprehensive. Both these sites should be avoided by people who haven't watched the entire series, though, as they are rife with spoilers.

--

Part two of the series premiere redeems the first part by cramming in all the action that it was lacking—the fight and escape sequences when Zuko captures Aang. There is a bit of exposition, but not nearly the stifling amount from the first episode. The characters get more characterization, though there is a limit to how much can be done with 23 minutes of screen time. The story is advanced, and Aang and friends are launched on their quest.

First of all, the action. This episode is the first major showcase of the magical martial-arts combat that will be a focus of the series. As such, it does not disappoint. The fights are carefully choreographed, with characters using the same moves consistently and to great effect. The moves are also very much in keeping with the characters of the protagonists. Zuko's burning rage powers his fire blasts, and Aang's breezy freedom of motion is reflected in his airbending. Katara's waterbending is still very primitive, but her use of it at a key moment shows off an important aspect of her personality—when her ice blast backfires and freezes Sokka behind her, she does not waste time trying to figure out what she did wrong; she just turns around and repeats the same action. Sensible and adaptable—that's Katara in a nutshell.

Zuko gets a little more attention paid to his character than his cardboard portrayal in "The Boy in the Iceberg," and it softens him just a little. When he supposes Aang wouldn't know about fathers, is that just a trace of sympathy in his tone? It is Iroh who gets less screen time now, though his hand-off of Aang's staff is a wonderful character moment. We get a bit more depth of character on Katara and Sokka, too, as Sokka finally gets a chance to exert his authority in banishing Aang from the tribe early in the episode. Katara is willing to leave with Aang, excited by the promise of finding waterbending instructors at the north pole, but Aang does not want to come between her and her tribe.

At the midpoint of the episode is one of the scenes that reminds me the most of Hayao Miyazaki: Gran Gran gives Katara and Sokka a sort of benediction on their quest, and explains that the Avatar is the last hope for the world. While it is yet more exposition, it is also reminiscent of the scene from Spirited Away where the wise woman sends Prince Ashitaka out to meet his destiny. The quest of the Avatar has officially begun.

Another good thing about the episode is the writing. The writers have a knack for making even expository dialogue not hurt, and come up with some very clever lines. Also, they show an impeccable sense of comic timing, executing sight gags and jokes at just the right moments to get a chuckle (and relieve the tension between serious moments). Sokka's boomerang and the children's interrupted cheer are two of many fine examples.

But this is not to say everything in the episode was good. I felt the pacing of the first half suffered a little; the banishment scene did provide some characterization, but it also slowed the action down. And there were a few more bits of annoyingly silly animation, such as Aang's disembodied mouth remaining around the corner for a moment as he whispers "Sorry" at Iroh's room.

This is a solid episode, and a pretty decent one. But it is not fantastic. Avatar is a show that builds over time, and these episodes are still laying the foundation for what is to come. It will be the middle of the season before Avatar begins to reach its fullest potential.

My grade: B
John Joseph Adams
2. johnjosephadams
Matt--

It's fine, of course, if you enjoy the goofy parts and I don't, but I think you're placing an overemphasis on it as it pertains to the plot of the show. I don't know that Aang's goofybending gives him any particular edge over his more serious enemies. I mean, riding in on that penguin was fine, but doing so didn't give him any edge in that battle really. He fought of Zuko with his airbending. Being goofy didn't stop Sokka from getting his butt whooped by Zuko. So while I think it's perfectly fine if folks enjoy the goofier parts of the show, even though I dislike them, I think it's taking it a bit too far to say that being goofy makes them better warriors/benders etc. I mean, it's not like I hate goofiness in general--I'm pretty goofy at times myself--it just goes a bit too far for me, especially in these early episodes. Initially, I thought that it just grew on me, but while that's part of it, I think it's more that the writers just kind of toned it down a bit. I'm more willing to concede your point in the episode where he rides the unagi and the elephant koi. And I guess I'll keep an eye on that throughout the series to see if that is a recurring thing or not. That line of Aang's just still really bugs me though!
Chris Meadows
3. Robotech_Master
John: Well, they are just kids—Aang especially. ("Well, you're just a teenager.") It's to be expected they'll be a bit goofy.

I suspect that the goofiness was especially played up in these first episodes, to get the show an "in" with Nickelodeon. After that, the series gradually found its own level.
John Joseph Adams
4. johnjosephadams
Robotech_Master:

Yeah, I wondered that myself. As I said in the 101 rewatch post, it kind of seems like maybe that's just a requirement for Nickelodeon or kid's shows in general and to leave it out is to setup a show for failure just because it's become such a part of the formula.

In any case, yeah, the goofiness level certainly settles down to the point where it almost never bothers me.
Jason Denzel
5. jwdenzel
Regarding the "masters" of the series. We'll see throughout the show that each of them exhibits a mix of power, wisdom, humor, and compassion. And that tends to be true for masters in other literary forms as well (Gandalf? Check. Dumbledore. In spades.) I'd even argue that it its true in real life.

Love it.
To the north pole......
Maggie M
6. Eswana
"Boomerang! You really do come back!"

I forgot just how much Sokka really disliked Aang at first. In Season's Three "Day of Black Sun" he mentions (very quickly) that he didn't really like Aang that much at first, but whoa, I forgot just how much.

This episode is very good at demonstrating the real power and ruthlessness of the Fire Nation against simple villagers. At first we'll be clubbed over the head with "Fire Nation Bad, everyone else good," which is awesome for setting up the assumption-challenging that comes in seasons 2 and (especially) 3.

Re: goofiness. The writers do a good job balancing the serious themes with kid's humor. Sometimes they err on one side or another, but most strike a pretty good balance. For example, you cited Aang riding the elephant koi on Kyoshi (coming up soon). It's childish, yes, but he's doing it to show off for Katara as well as acting like normal silly 12-year-old. And that episode is also full of grown up themes like gender equality (GO SUKI!) and the like. Even the more intense episodes (Season Three's Southern Raiders comes to mind) sprinkle humor in there to keep it light sometimes.

Interesting point about the similarities between Zuko and Sokka. Never thought about it that way, but yeah, it makes a lot of sense.

Also, I forgot that Jason Issacs is the voice of Admiral (Commander) Zhao. It's weird hearing him speak in an American accent!

Keep the good work gentlemen!
Confusador
7. Confusador
First, I agree with the new comments policy. I actually didn't comment on the first episode because I couldn't come up with anything that wasn't a spoiler for something. That should be less of an issue as the series goes on, but these first episodes are so full of foreshadowing! I think that more than anything what makes this series great is how much they knew where they were going and set it up so far in advance.

Regarding this episode, I'm glad you guys commented on Sokka. Yeah, his actions are ridiculous, but they're important. He has to do something in the face of an attack (especially given the village's history, which I think also explains why they are so cold to the Avatar - benders are a threat), and even though he knows he will lose he has try to do as much damage as he can. It also sets up his character development; he always complains about being normal, but his superpower is in leading armies. Right now he's about as good at is as Katara with her water, but he'll get there...
Chris Meadows
8. Robotech_Master
One of my favorite stories about Isaacs is the way that BryKe (the fan portmanteau nickname for the Avatar creators, both of whom have long and hard-to-spell names) had him in mind (based on his performance in The Patriot) when they were coming up with the character of Admiral Zhao, and asked their casting director to get "someone like Jason Isaacs"—and then she got the real thing instead.

Another favorite story is that when Isaacs was doing the voice recording, he wondered if he should try to do an Asian accent, but they told him, "No, just be yourself." Then, after recording started, they added, "Okay, just to slightly clarify that. Be yourself, but be your American self."
René Walling
9. cybernetic_nomad
What struck me is how similar Sokka and Katara are: both are stubborn and both will stick to their guns for what they think is right (note that this does not endow them with the ability to discern right from wrong). Both also take joy in what they accomplish with their own skills -- Katara with waterbending and Sokka with figuring things out (the look of joy on his face when he gets Appa to fly is priceless)
Madeline Ferwerda
10. MadelineF
I haven't had time to actually re-watch yet, so I'm going to have to go on memory. What I remember about this episode is the way I was incredibly impressed at the coreography of the fight between Zuko and Aang in the ship: Aang gets around behind Zuko and then /puts his hand on the small of Zuko's back/ so that he can follow Zuko's motions. This is something I was taught in Kali, and when I saw it I was like, "so this show isn't BS, they actually have someone who knows what they're doing!"

Also, a structure suggestion for you guys doing these writeups: I really love the Star Trek rewrite writeups. Every single one sucks me in to reading it even though I don't watch classic Trek. It'd be a lot of work, but could you make your Avatar recaps more thorough and get more into the minds of the characters as you do them so that they attract more interest? Then there wouldn't be the need for the trio to flesh out the recaps in their opinion/reaction bits, saving that room for specifics of opinion. I would nominate Matt as main recapper.
marcial cristy
11. marcial
yeah! this episode is really cool for me... I have lots of fun when watching Avatar the last air bender...
Confusador
12. scrollie
Matt, I'm not going to lie—Sokka is probably one of my favorite characters in the show, probably in no small part because of the quote that you excerpted. The full quote, however, better sets up Sokka's role across the series: "I'm just a guy with a boomerang; I didn't ask for all this flying and magic."

To the very end, poor Sokka is just a dude with no special powers. He succeeds or fails based solely on effort and intelligence yet is able to excel alongside the Avatar and some of the most formidable benders of his time.
Confusador
13. MPJames
I'm into the 2nd season, and this isn't about spoilers, but I haven't seen nor heard of any kind of discrimination toward benders from the "normal" members of their tribes. You know, the kind of attitude where different = bad. The aggression almost entirely occurs between tribes, clearly necessary for the development of the plot, but what about the tension between 'normal' and 'bender' (or samurai and farmer).

Has anyone actually figured out which school of fighting characterizes which element? I admit I just heard of this series here on Tor.com with the re-watch, so this may have all been hashed out in some other forum...
Confusador
14. SevenofNine
@MPJames take a look at this YouTube playlist. Short videos on each of the 4 martial arts styles used in the show:

http://www.youtube.com/view_play_list?p=F6C8E646079F93D5&playnext=1&playnext_from=PL&v=k_j7w4Xo5_4

I really like the earthbending style.

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