The people of Gaant are telepaths. The people of Enith are not. The two countries have been at war for decades, but now peace has fallen, and Calla of Enith seeks to renew an unlikely friendship with Gaantish officer Valk over an even more unlikely game of chess.
Fiction and Excerpts 
The Wild Cards universe has been thrilling readers for over 25 years. In Carrie Vaughn’s “Nuestra Señora de la Esperanza,” ace Ana Cortez discovers that sometimes to be truly healed, you must return to your roots.
This short story was acquired and edited for Tor.com by George R. R. Martin.
Check out Dreams of the Golden Age by Carrie Vaughn! This sequel to After the Golden Age is available January 7, 2014 from Tor Books.
Like every teen, Anna has secrets. Unlike every teen, Anna has a telepath for a father and Commerce City’s most powerful businessperson for a mother. She’s also the granddaughter of the city’s two most famous superheroes, the former leaders of the legendary Olympiad, and the company car drops her off at the gate of her exclusive high school every morning. Privacy is one luxury she doesn’t have.
Hiding her burgeoning superpowers from her parents is hard enough; how’s she supposed to keep them from finding out that her friends have powers, too? Or that she and the others are meeting late at night, honing their skills and dreaming of becoming Commerce City’s next great team of masked vigilantes?
We are very excited to be able to preview Dangerous Women, a new anthology edited by George R. R. Martin and Gardner Dozois, and featuring 21 new stories from some of the biggest authors in the science fiction/fantasy field. The anthology is available on December 3rd from Tor Books!
Every morning until July 30th, we’ll be previewing excerpts from the stories, returning you to the world of Jim Butcher’s Harry Dresden, Diana Gabaldon’s Outlander series, Brandon Sanderson’s cosmere, and even Westeros itself. Keep an eye on the Dangerous Women index to keep track of them all.
In “Raisa Stepanova,” Carrie Vaughn takes us to the front lines in Russia during the darkest days of World War II for the story of a young woman flying the most dangerous of combat missions, who is de- termined to do her duty as a soldier and keep flying them, even if it kills her—which it very well might.
Series: Dangerous Women on Tor.com
For a New Year’s treat we’ve got a short story from Carrie Vaughn’s anthology of Kitty Norville tales, Kitty’s Greatest Hits. Tor.com wishes you a Happy upcoming New Year! May your parties be delightful and full of merry loved ones! Or at least some really fun new friends!
When Kitty decides to spend New Year’s Eve at a friend’s party rather than wallowing alone, she gets more than she bargained for. So does everyone else at the bash when a strange, vacant woman appears….
In addition to the upcoming novel, Fort Freak, the very first Wild Cards novel has been re-released, featuring new stories by talented authors. We hope you enjoy one of these new stories from Carrie Vaughn: “Ghost Girl Takes Manhattan.”
JENNIFER DIDN’T KNOW WHERE Tricia was taking her until her friend dragged her out of the subway car onto the 2nd AvenueLower East Side platform. She’d spent the last four stops getting more and more worriedpast Midtown, past Washington Square Park, past any place that they had any business being, and Tricia kept saying, “No, that’s where we always go, I want to try someplace new, it’ll be fun!”
Series: Wild Cards
Q. Tell us a little bit about yourself and your experience with Wild Cards.
A. I started reading Wild Cards when I was in high school, around 1989, so I’m a fan from way back. When I first met George and Melinda, I asked them to keep me in mind when they put together the next Wild Cards project. Happily, they did, and here I am.
It’s been fun seeing the books from the other side, so to speak, and being part of the process to put them together. I’ve gone back to some of the early books to reread them and figure out how they were written, now that I know what the process looks like. I just can’t imagine doing it without email!
As for me, I’ve been writing just about my whole life and have four novels of my own out, with more on the way, and over thirty short stories published. Wild Cards is a great chance to play in another world for a while and work with lots of really smart people.
Q. Tell us about the inspiration behind your story for Inside Straight.
A. I must confess, the whole American Hero thing was my fault. In one of my character proposals, as a throwaway line, I mentioned that the character was a runner up in the first season of the reality show American Hero. Because I just know in the Wild Cards world there’d be dozens of reality TV shows centered around wild carders. (Who Wants to Marry a Millionaire Ace, anyone?) George didn’t take the character, but decided the reality TV idea was too good to relegate to backstory. My story is mostly about the show. It’s about a lot of other things, too. The friendship between my two characters, Earth Witch and Curveball, became important.
Series: Wild Cards
Please enjoy this excerpt from Carrie Vaughn’s After the Golden Age, out on April 12th from Tor Books. On her way home from work, Celia West gets kidnapped. Unfortunately for her, the scenario is all too familiar…
Celia took the late bus home, riding along with other young workaholic professionals, the odd student, and late shift retail clerks. A quiet, working bunch, cogs and wheels that kept Commerce City running.
Only a block away from the office, the person in the seat behind her leaned forward and spoke in her ear:
“Get off at the next stop.”
She hadn’t noticed him before. He was ordinary; in his thirties, he had a rugged, stubbled face, and wore jeans and a button-up shirt. He looked like he belonged. With a lift to his brow, he glared at her over the back of the plastic seat and raised the handgun from his lap. Without moving his gaze, he pushed the stop call button by the window.
Damn, not again.
As I mentioned in a previous post, when I started reading urban fantasy, it meant something a little different than most people take it to mean these days. As a result, my recommendations don’t always show up on most folks’ lists.
I get asked a lot about what kind of research I’ve done on werewolves. Which is kind of an odd question, because they’re fictional creatures and technically I could make up whatever I want. But there’s a long, vast history of folklore, stories, and pop cultural expectations about the beasts, and I think most people want to know what folkloric sources I’ve used.
The answer is: I haven’t, much. Instead, I’ve turned to wolf biology to help me build a better werewolf.
If ten people are talking about urban fantasy, they’ll actually be talking about six different things. When I first started paying attention to things like sub-genre definitions (early 1990’s), the term urban fantasy usually labeled stories in a contemporary setting with traditionally fantastical elements—the modern folktale works of Charles de Lint, Emma Bull’s punk elf stories, the Bordertown series, and so on.
But the term is older than that, and I’ve also heard it used to describe traditional other-world fantasy set in a city, such as Fritz Leiber’s Lankhmar stories. Vampire fiction (the books of Anne Rice, Chelsea Quinn Yarbro, and P.N. Elrod for example) was its own separate thing.
Lately I’ve been wondering—when did “urban fantasy” come to be used almost exclusively to describe anything remotely following in the footsteps of Buffy and Anita? Stories with a main character who kicks ass, and with supernatural beings, usually but not exclusively vampires and werewolves (with liberal sprinklings of zombies, angels, djinn, ghosts, merfolk, and so on) who are sometimes bad guys but often good guys. Those ubiquitous covers of leather-clad women with lots of tattoos.
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