What is it about the American West that continues to inspire? There’s the romanticized notion of expansion, the simplistic morality of white hats and black hats, of cowboys vs. Indians. And there’s the post-modern Western that does not gloss over the era’s exploitation and violence; all the birth pains of a new nation. Then there is the Weird West, a genre-hopping category that uses a lot of the Western window-dressing—gunslingers, railroads, Pinkertons—and mashes them up with cosmic horror, alternate histories of American icons, and a vast landscape of cruel promise and harsh awe. To celebrate the release of a new batch of novels set in the Weird West world of the RPG Deadlands, beginning with Jonathan Maberry’s Deadlands: Ghostwalkers, it’s time to saddle up for a ride into a booming frontier of creepy thrill.
Not all of it is written, not all of it is American, but it’s all definitely rich in the weird.