Tor.com content by

Ada Palmer

Japan’s Folklore Chronicler, Shigeru Mizuki (1922-2015)

Have you ever been walking along and felt the creepy, unsettling feeling that something was watching you? You met Betobeto-san, an invisible yōkai, or folklore creature, who follows along behind people on paths and roads, especially at night. To get rid of the creepy feeling, simply step aside and say, “Betobeto-san, please, go on ahead,” and he will politely go on his way.

What we know of Betobeto-san and hundreds of other fantastic creatures of Japan’s folklore tradition, we know largely thanks to the anthropological efforts of historian, biographer and folklorist, Shigeru Mizuki, one of the pillars of Japan’s post-WWII manga boom, who passed away yesterday at the age of 93. A magnificent storyteller, Mizuki recorded, for the first time, hundreds of tales of ghosts and demons from Japan’s endangered rural folklore tradition, and with them one very special tale: his own experience of growing up in Japan in the 1920s through 1940s, when parades of water sprites and sparkling fox spirits gave way to parades of tanks and warships.

[Read more]

When Less Plot is More Play: Love’s Labour’s Lost vs. Pericles Prince of Tyre

Today I will take on the unsurprising thesis that Love’s Labour’s Lost is a better play than Pericles Prince of Tyre. The very fact that thesis does not surprise us is itself important, since it means we all agree a play about royal heroes, alluring princesses, evil kings, loyal nobles, dastardly assassins, incest, famine, shipwreck, infanticide, pirates, slavery, prostitution, and divine intervention is less exciting than one about some people flirting for two hours to no particular end.

The simple conclusion that it’s a bad idea to pack too much plot into a 20,000 word story (on the short end for a modern novella), but by digging deeper I hope we can look, both at plot, and at the many things which aren’t plot that make up the length of a play or story, and how those other components can make a giant epic spanning five kingdoms and two decades less gripping than Love’s Labour’s Lost, which I choose for comparison because it is not merely a story about nothing, but, in many ways, a story about less than nothing.

[Read more]

Series: Shakespeare on Tor.com

The Hollow Crown: Shakespeare’s Histories in the Age of Netflix

Most genre fans who know about the 2012 BBC television film series The Hollow Crown know it because of its big name cast: Jeremy Irons, Tom Hiddleston, John Hurt, Patrick Stewart, Ben Whishaw (Cloud Atlas and Skyfall Bond’s new Q) and Michelle Dockery (Downton Abbey). And now that series 2 has signed Benedict Cumberbatch and Downton Abbey’s Hugh Bonneville, the fan squeal almost threatens to drown out the writer credit: Shakespeare.

There have been many discussions of how Netflix, Tivo and their ilk have transformed TV consumption, production and money flow, but I spent the last year watching a pile of different (filmed and live) versions of Shakespeare’s Richard/Henry sequence in order to focus in on how the Netflix era has directly impacted, of all things, our interpretations of Shakespeare, and what that tells us about historical and fantasy TV in general.

[Read More]

Which 21st Century Comics Will Be Remembered in 50 years?

What qualities make a comic or graphic novel linger in the genre’s memory? Which comics of 2000-2014 will we still be reading and discussing in 2064?

This was the subject of a panel at the recent LonCon, at which, comics authors Maura McHugh, David Baillie and Hannah Berry, publisher John Anderson, and comics enthusiasts Adam Rakunas and myself discussed the famous, the obscure, the deserving, and the overhyped in the last fifteen years of international comics publishing. We also looked back at comics from 50 years ago, to see what qualities have helped past titles stand the test of time.

[So who made the cut?]

Does Thor Qualify as a Disney Princess?

The recent fuss about the new female Thor, combined with the fact that Disney owns Marvel Entertainment, has sparked jokes about whether this makes Thor a Disney Princess. Disney says the Marvel movieverse is separate from their Princess line, but it’s still a remarkably telling question if we take it seriously and actually look at what qualities make a Disney Princess, which Thor has, and what this shows about the Disney-patented princess obsession which has such an enormous impact on millions of kids (especially girls) and on our culture as a whole.

Before anyone protests that the new female Thor isn’t actually Odin’s son, but a different person carrying Mjollnir, we can look instead at Thor from Marvel’s Earth X, when the thunder god actually was transformed into a woman (Marvel has no shortages of any given character being turned into any given thing).

[Read More]

How History Can Be Used in Fiction: The Borgias vs. Borgia: Faith and Fear

There was a Borgia boom in 2011 when, aiming to capitalize on the commercial success of The Tudors, the television world realized there was one obvious way to up the ante. Not one but two completely unrelated Borgia TV series were made in 2011. Many have run across the American Showtime series The Borgias, but fewer people know about Borgia, also called Borgia: Faith and Fear, a French-German-Czech production released (in English) in the Anglophone world via Netflix. I am watching both and enjoying both. This unique phenomenon, two TV series made in the same year, modeled on the same earlier series and treating the same historical characters and events, is an amazing chance to look at different ways history can be used in fiction.

[Read More]

Happy Ragnarok! Time to Choose a Side

Loki here, wishing you a very fine last morning the world will ever see!

The heavy sleepers among you may have missed things, but, as prophesied, when dawn broke on this lovely 22nd of February 2014, and the golden cock Gullinkambi crowed as usual from the roof of Valhalla, this time it was answered by the normally-silent sooty-red cock that sits deep in the depths on the snake-and-bone rafters of Hel’s hall. This means it’s time to celebrate! Nidhogg, the hard-working and industrious dragon of Chaos and Destruction, has finally chewed through the roots of the World Tree Yggdrasil, killing the tree and bringing the nine worlds crashing down. The unjust tyranny of Odin and the Aesir is no more. All bonds in the world are broken, and the beings unjustly imprisoned by the cruel gods have been set free: the hound Garm that’s been chained up outside the Gnippa cave for ages, my sons Jormungangir and fuzzy adorable Fenris, my sweet daughter Hel, my fellow giants, and, of course, myself.

[Read about what you can look forward to at Ragnarok…]

Japan’s Manga Contributions to Weird Horror Short Stories

A big, fat short story anthology is the perfect solution when I’m torn between wanting short bites of fiction that I can squeeze in between tasks, and wanting my reading pleasure to never end. My recent favorite has been Ann and Jeff VanderMeer’s The Weird (2012), a lovingly curated history of Weird fiction from 1907 to the present, which, at 1,126 pages, has lasted me through many cycles of thick and thin. I find the collection eye-opening for two reasons. First, it places people like Kafka and Lovecraft in the context of their less famous influences and contemporaries. This has helped me to finally see which of the characteristics I always associated with the big names were really their original signatures, and which were elements already abroad in the Weird horror but which we associate with the big names because they’re all we usually see. Second, it’s refreshingly broad, with works from many nations, continents, and linguistic and cultural traditions.

But as a lover of Japanese horror, I can’t help but notice how Japan’s contributions to the world of Weird aren’t well represented, and for a very understandable reason. The collection has great stories by Hagiwara Sakutar? and Haruki Murakami, but the country that brought us The Ring also puts more of its literature in graphic novel format than any other nation in the world.

[Read more about Japan’s Weird]