A Cost-Benefit Analysis of the Proposed Trade-Offs for the Overhaul of the Barricade July 30, 2014 A Cost-Benefit Analysis of the Proposed Trade-Offs for the Overhaul of the Barricade John Chu Fighting Turbulence requires sacrifices. The Colonel July 29, 2014 The Colonel Peter Watts The hives are sleeping giants. <em>To Eternity</em> July 24, 2014 To Eternity Wesley Allsbrook and Barrie Potter If all things were normal, Stuart would be considered quite a catch. Brisk Money July 23, 2014 Brisk Money Adam Christopher It's hard out there for a robotic detective.
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July 30, 2014
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Showing posts by: Will Errickson click to see Will Errickson's profile
Fri
Jul 25 2014 9:00am

Summer of Sleaze: The Alternative Horrors of Kathe Koja

Kathe Koja

Summer of Sleaze is 2014’s turbo-charged trash safari where Will Errickson of Too Much Horror Fiction and Grady Hendrix of The Great Stephen King Reread plunge into the bowels of vintage paperback horror fiction, unearthing treasures and trauma in equal measure.

In January 1991, a new line of horror paperback originals from Dell Books appeared under the imposing imprint of Abyss. Spearheaded by editor Jeanne Cavelos, the Abyss line even included in each book an ambitious mission statement on the very first page.

[Horror unlike anything you’ve ever read before...]

Fri
Jul 11 2014 9:00am

Summer of Sleaze: The Universal Horrors of Charles L. Grant

Charles L Grant

Summer of Sleaze is 2014’s turbo-charged trash safari where Will Errickson of Too Much Horror Fiction and Grady Hendrix of The Great Stephen King Reread plunge into the bowels of vintage paperback horror fiction, unearthing treasures and trauma in equal measure.

Moonlight over a lonely town. Fog swirls. Whispering shadows. Footsteps in the forest. A voice from the darkness. A movement seen from the corner of the eye. A slowly spreading stain of red.

New Jersey-born writer and editor Charles L. Grant (1942–2006) championed these hallmarks of old-fashioned horror tales, even in spite of their simplicity, their overuse, indeed, their corniness, because he knew in the right hands such subtle details would build up to an overall mood of dis-ease and weirdness. Evoking fear of the unknown, not the graphic revelation of a psychopath with a gore-flecked axe or an unimaginable, insane Lovecraftian nightmare, is what a truly successful horror writer (or, for that matter, filmmaker) should do. And especially during the 1980s, when he published dozens of titles through Tor Books’ horror line, Grant did precisely that.

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Fri
Jun 20 2014 9:00am

Summer of Sleaze: The Erotic Horrors of Thomas Tessier

Thomas TessierSummer of Sleaze is 2014’s turbo-charged trash safari where Will Errickson of Too Much Horror Fiction and Grady Hendrix of The Great Stephen King Reread plunge into the bowels of vintage paperback horror fiction, unearthing treasures and trauma in equal measure.

I was fortunate enough to discover the horror novels of Thomas Tessier back in 1989, when I began working in a used bookstore just out of high school. Horror junkie that I was, my favorite authors were still limited to King, Lovecraft, Barker, Campbell, and a few of the splatterpunks. So I was grooving on the fact that I had access to all the beat-up old paperbacks in our horror section; it was time to branch out.

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Fri
Jun 6 2014 11:00am

In a Dark Country, Red Dreams Stay with You: The Horrors of Dennis Etchison

Will Etchison The Dark Country

Summer of Sleaze is 2014’s turbo-charged trash safari where Will Errickson of Too Much Horror Fiction and Grady Hendrix of The Great Stephen King Reread plunge into the bowels of vintage paperback horror fiction, unearthing treasures and trauma in equal measure.

Dennis Etchison (born Stockton CA, 1943) didn’t set out to be a horror writer. While Etchison has been referred to as a writer of “dark fantasy” or of “quiet horror,” in an interview with journalist Stanley Wiater in Dark Dreamers (1990), the author states that he found himself in the horror genre “sort of by accident.” Etchison began writing and publishing science fiction stories in the 1960s, but as the short genre fiction market changed he found his work gained more acceptance in the burgeoning horror fiction field of the 1970s.

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