May 15, 2013 The Button Man and the Murder Tree Cherie Priest An all-new Wild Cards story May 14, 2013 Shall We Gather Alex Bledsoe When one world brushes another, asking the right question can be magic… May 8, 2013 Fire Above, Fire Below Garth Nix The dragon below our city has died. What is to be done? May 7, 2013 We Have Always Lived On Mars Cecil Castellucci They've never seen the sky. Or the sun. Or the stars. Or the moons.
From The Blog
May 19, 2013
Announcing the 2013 Spectrum Fantastic Art Awards
Irene Gallo
May 10, 2013
The Great Gatsby is an Alternate Timeline Where Jack Survived Titanic
Chris Lough
May 7, 2013
Charlaine Harris Says Goodbye to Sookie Stackhouse
Charlaine Harris
May 6, 2013
Grossly Gothic: Doctor Who “The Crimson Horror”
Ryan Britt
May 6, 2013
Your Pal, The Mechanic: Iron Man 3 Spoiler Review
Emily Asher-Perrin
Showing posts by: Wesley Adams click to see Wesley Adams's profile
Wed
Feb 3 2010 2:58pm

I first began working with William Steig in 1987, the summer before one of his less commercially-successful picture books, The Zabajaba Jungle, was published. “Working with” is a lofty way of describing what I was doing: I was fresh out of college and had just been hired as an editorial assistant at FSG. One of my first tasks on my way to earning my whopping $11,500 annual salary was to pack up and send Bill a box containing his ten contract copies of the book.

After poring over Zabajaba’s lush 32 pages, I was a Steig convert. The quirky, funny story was a hoot; a few surreal touches added a certain special something; and I admired how it introduced kids (and me) to the word cloaca. Also, it starred a plucky boy hero named Leonard, hacking his way through the wilds to rescue his parents from under a glass jar—what’s not to love about that?

[more below . . .]