“No price is too high to save the innocent.”
The mid-season finale of Constantine’s officially-not-extended-past-the-initial-13-episode-order-but-not-explicitly-cancelled first season accomplishes a whole lot of things: it takes our hero down to Mexico, offers some solid insight into the whole “Rising Darkness” thing, revisits the disaster at Newcastle, and perhaps most importantly, writes a character out of the journey for in-story reasons that actually serve the plot! Also in general it was just a really solid episode of television, with a decent enough cliffhanger to hold it over until after the holiday break. Was it perfect? Nah. And as much as I enjoy the show, it still hasn’t quite become the “must-see-TV” of NBC’s catchphrase. But from the writing to the performances to the production values, “The Saint of Last Resorts” was still a high-point of this first season of Constantine and gave a good indication of what the show is capable of when it’s not trying too hard to exposit at every new audience member.