A Cost-Benefit Analysis of the Proposed Trade-Offs for the Overhaul of the Barricade July 30, 2014 A Cost-Benefit Analysis of the Proposed Trade-Offs for the Overhaul of the Barricade John Chu Fighting Turbulence requires sacrifices. The Colonel July 29, 2014 The Colonel Peter Watts The hives are sleeping giants. <em>To Eternity</em> July 24, 2014 To Eternity Wesley Allsbrook and Barrie Potter If all things were normal, Stuart would be considered quite a catch. Brisk Money July 23, 2014 Brisk Money Adam Christopher It's hard out there for a robotic detective.
From The Blog
July 30, 2014
Pull List: Kelly Sue DeConnick’s Captain Marvel
Alex Brown
July 30, 2014
Concerning Hobbits, On-Screen and Off: Why Jackson and Tolkien Can Peacefully Co-exist
Jeff LaSala
July 30, 2014
Yes, Women Want to Be Thor—So Why is the New Avengers Line-up Cause For Ire?
Emily Asher-Perrin
July 29, 2014
Introduction to the H. P. Lovecraft Reread
Ruthanna Emrys and Anne M. Pillsworth
July 25, 2014
Huge New Cast and Bloopers. Highlights from the San Diego Comic Con Game of Thrones Panel
Chris Lough
Showing posts by: Ron Miller click to see Ron Miller's profile
Wed
Nov 23 2011 2:00pm

How to Make Astronomical Illustrations

When I was painting traditionally — before I moved to digital media — I almost never did preliminary sketches... except perhaps for the occasional thumbnail doodle to remind me of an idea. And after doing astronomical art for forty years, not much has changed in that regard: I have such a clear-cut idea of how the finished artwork is going to look that in a very real sense the preliminary sketches are already done. Now I work almost exclusively in digital media (a decision I made when I found myself having to both write and illustrate a series of ten books... and realizing there was no way to meet my deadlines). I had been reluctant to abandon traditional media, but when I presented my first efforts to my friends and heard them say, “Why, these look just like Ron Miller paintings!” I was sold — so much so that I’ve done only a couple traditional paintings since.

[Read more]

Fri
Nov 18 2011 4:00pm

Imaginary Exoplanets

Extrasolar planets have been a staple of science fiction pretty much from the get-go. My favorite fictional movie planet is probably Metaluna of This Island Earth. For one thing, who could possibly trump that wonderfully evocative name? Besides, it’s beautifully realized in the movie, with its cratered surface bombarded by radio-controlled meteors and its underground civilization. Then again, it might just be because it was the first exoplanet I had ever been introduced to.

[Read more]

Mon
Sep 26 2011 5:00pm

The Planet Artists: Chesley Bonestell, Lucien Rudaux, and Ludek Pesek

Just about everyone doing the kind of space art I do (sometimes referred to as “rock and ball” space art), owes something to Chesley Bonestell. While not the first artist to specialize in astronomical art, he raised to the level of fine art.

A classically trained painter, Bonestell began his career as an architect and architectural renderer. During this time, he contributed to the design of such American icons as the Golden Gate Bridge and the Chrysler Building. He took his painting skills and the knowledge of perspective, light and shadow to Hollywood where he entered the second phase of his long career, creating special effects matte paintings. He worked on such classic films as The Hunchback of Notre Dame and Citizen Kane. All the scenes showing the cathedral and medieval Paris in the former are Bonestell’s artwork as are the scenes of 19th century New York and Kane’s Xanadu.

[Space art ahead!]