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Showing posts by: Joshua Pfeiffer click to see Joshua Pfeiffer's profile
Oct 16 2009 10:26am

The Revolution Will Not be Telegraphed: The Sociopolitical side of Steampunk

[“The Revolution Will Not Be Telegraphed” image by David Malki. You can buy the shirt here!]

Steampunk is here to stay. There’s no doubt about it. But as much as I am glad to see my favorite genre of speculative fiction get its due, I am a little disheartened by the lack of something present in today’s incarnation of the genre.

When I look back at the literature that got me interested in this style in the first place, I think of the classics such as Verne’s 20,000 Leagues Under the Sea, The Mysterious Island, Robur the Conqueror, Paris in the 20th Century, Around the World in 80 Days. Or Wells and his classics The Time Machine, The Invisible Man, The Island of Dr. Moreau, and War of the Worlds.

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Oct 12 2009 5:40pm

A Few of My Favorite Things: Top Steampunk Media

In keeping with the spirit of Steampunk Month, I’d like to ask you all what your favorite Steampunk Book, Movie, Television Show, Video Game, and (or) Music is. Feel free to answer any or all of the above in the comments. I’ll go ahead and start with my top picks from each of those categories since this is my post.

Book: A Nomad of the Time Streams Trilogy (The Warlord of the Air, The Land Leviathan, The Steel Tsar) (1971)

Michael Moorcock’s account of the adventure’s of one Cpt. Oswald Bastable was not only the first Steampunk-related book I read as a young man, but it is also my favorite. It by far had the biggest impact on my tastes as a teenager. It also inspired me to write a lot of my own Steampunk fiction in the early 90s.

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Oct 8 2009 3:08pm

The Past (and Future) of Steampunk Music.

A few days ago Brian posed the question “What is Steampunk Music?”, to which many of you replied with your own various ideas of what Steampunk music should consist of.  Well... since I'm heavily involved in the Steampunk music world my self, I figured it wouldn't hurt to give my own interpretation and answer to this question as well. It also seemed quite fitting for my first post here at

So to start with let me just say that there is no defining element to Steampunk music. Steampunk music is different to every individuals interpretation of it. The only true definition could be; “Music created by Steampunk fans, or music that Steampunk fans find invokes the atmosphere they expect from a Steampunk setting or aesthetic”.

Ok so that didn't really answer the question did it? Well how about this...

Steampunk music as I see it more often than not consists of a mixture of genres. Usually a mixture of genres from various periods in music history. Be it Ragtime with Punk Rock, Industrial and Neo-Classical, Chamber music and Electronica, Swing and Hip-Hop, or any other variety of combinations. The only constant element that must be present  is some form of vintage (19th or early 20th Century) musical influence.

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Another problem lies in the fact that their are plenty of Steampunk ideas in individual songs or albums, but not nearly as many bands that stick to that formula on a regular basis. Sci-Fi/Fantasy elements have existed in music since the late 19th Century with novelty songs like “Come Take a Trip on My Airship”, but it wasn't until much later that Steampunk started developing as it’s own sound. In the early 70’s, Prog-Rock bands like The Moody Blues, Klaatu, and King Crimson started mixing heavy amounts of classical arrangements into their more rock oriented formats creating what I consider the first signs of Steampunk music.  Next... in the late 70’s and early 80’s artists like Kate Bush, Thomas Dolby, David Bowie, Paul Roland, And Also the Trees, Laibach, The Stranglers, The Damned, and many others began refferencing more esoteric and vintage sci-fi/fantasy influenced themes in both their musical arrangements and lyrics. Finally in the 90’s their was a movement in the Gothic-Rock subculture to a more “Victorian” or “Romanti-Goth” style of music (often labeled simply as “Darkwave” or “Ethereal”), which would prove to be a major influence on the later “Steampunk Subculture” and the musicians who attributed their styles to it (my self included). Not to mention Trip-Hop and various genres of electronic music which often incorporated classical and film music samples.

But that was the past, and now we have a whole burgeoining Steampunk movement complete with conventions, magazines, night clubs, fairs, and all manner of social activities. So who fits the “Steampunk Music” mold in this day and age? Well I’ll tell you ever since 2003 (when I started a project called “Vernian Process”) I’ve been following the development of the scene and its related bands in an attempt to create a network of like minded artists. The first ones I saw appear shortly after I started working on my project were Abney Park, Unextraordinary Gentlemen, and The Clockwork Dolls. But now there are literally hundreds of bands that can and do fit the description of “Steampunk Music”.

A few months ago I started a thread over at the Brass Goggles Steampunk Forum (which I highly recommend if you have any interest at all in this subculture) that I hoped would become a master list of Steampunk and Steampunk friendly musicians that are currently active. Feel free to peruse those lists, you can spend hours listening to all of the artists presented there.

Since the big Steampunk boom back in 2005, there have been a few projects that have popped up that have attempted to filter all of these new artists into one central place for the listening public to find. Among them are the Seattle based “Sepiachord”, North Carolina’s “Clockwork Cabaret”, and “Gilded Age Records”.  All three projects have been working together and cross promoting each others findings so that anyone with an interest in this style can easily find all of these wonderful new artists.

Well that about sums up my thoughts on what exactly Steampunk music is... at least what it is to me. Thanks for taking the time to read my thoughts.

Joshua Pfeiffer is the founder of the Steampunk band “Vernian Process”, and co-founder of the Steampunk-centric record label/collective “Gilded Age Records”. When he isn’t working on music, he is probably working as middle management in the video game industry.