The virtues of Karen Russell’s novel Swamplandia! have already been extolled in this column, and I am happy to report that her new short story collection, Vampires in the Lemon Grove, is tailor-made for fans of both magical realism and horror. Employing intensely awkward humor (think The Office) and melding it with dark sensibilities (think Poe), she’s written a book that belongs on your shelf next to Ray Bradbury, Stephen King, and Bas-Lag-era China Mieville. Russell’s subjects have grown up a bit—there are teenagers, but there are also dead presidents, ancient vampires, a middle-aged divorcé. And while Swamplandia! had plenty of darkness, the creepy factor has been dialed up here to the point where you might consider not reading certain stories after dusk.









Every now and then you discover a new author just before their first book comes out. You read their work and are bowled over by it. And then you get to be the first one to tell everyone about it! At least, if you’re lucky.
Victor LaValle is no stranger to the supernatural, disturbed minds, or the borough of Queens! His first two novels,
Politics and fiction can be a powerful combination; classics like Wells’ The Time Machine, Ursula Le Guin’s The Dispossessed, Brin’s Uplift series, all orbit around recognizable political quandaries. You can even see it on television (Battlestar Galactica, I am looking at you). But few authors chose to set these stories in the present, in our own world — a little distance, a new galaxy, a future time, these are almost de riguer.
It’s probably only recently that a novel as stuffed with genre conceits as Ryan Boudinot’s Blueprints of the Afterlife could be shelved in the literature section. Quantum computers, neurological hacking, time loops, commercialized cloning, all are solidly on the SF side of the fence. But Boudinot’s author background — McSweeney’s, Best American Nonrequired Reading, The Rumpus — and his first novel, Misconception (a coming-of-age story set during the first dot-com boom) swing him back toward the literary world. This combination is what makes Blueprints such a fantastic crossover book. At its heart it is the story of Luke Piper and Nick Fedderly, two brilliant and troubled young men, and how they changed the world — and you couldn’t pull it off without the genre elements.


















