Cold Wind April 16, 2014 Cold Wind Nicola Griffith Old ways can outlast their usefulness. What Mario Scietto Says April 15, 2014 What Mario Scietto Says Emmy Laybourne An original Monument 14 story. Something Going Around April 9, 2014 Something Going Around Harry Turtledove A tale of love and parasites. The Devil in America April 2, 2014 The Devil in America Kai Ashante Wilson The gold in her pockets is burning a hole.
From The Blog
April 13, 2014
Game of Thrones, Season 4, Episode 2: “The Lion and the Rose”
Theresa DeLucci
April 11, 2014
This Week’s Game-Changing Agents of S.H.I.E.L.D. Was Exactly The Problem With The Show
Thom Dunn
April 8, 2014
Let’s Completely Reimagine Battlestar Galactica! Again. This Time as A Movie!
Emily Asher-Perrin
April 4, 2014
The Age of Heroes is Here. Captain America: The Winter Soldier
Chris Lough
April 3, 2014
A Spoonful of Music Makes the Nanny: Disney’s Mary Poppins
Mari Ness
Showing posts by: George Khoury click to see George Khoury's profile
Tue
Jan 21 2014 6:00pm

Miracleman Marvelman Alan MooreBefore the comic book world had The Dark Knight and Watchmen, 1982 gave us a revolutionary, revamped Marvelman in the pages of Warrior #1—a character that a few years later achieved more fame and acclaim under his new name of Miracleman, courtesy of American publisher Eclipse Comics.

Before the rage of ultra-realism, sex, violence and rock ’n’ roll were in all mainstream superhero storytelling, writer Alan Moore and a group of committed artists did it first and better with Miracleman, a forerunner to the dramatic possibilities that an entire industry would attempt to force onto all their heroes. This uprising was the first time that an established superhero character was pushed to its fullest dramatic possibilities, and then some. Here was a costumed heroic comic character ready to give the entire world peace, a true utopia unlike any ever seen in the art form. Subsequently, a young Neil Gaiman and Mark Buckingham would pick up the torch and continue to beautifully explore the ramifications of said bliss.

Now that it appears Marvel Comics has settled the copyright nightmare that have kept these stories out-of-print for over a decade, a new generation is ready to discover perhaps the greatest superhero novella ever told.

[Kimota!]

Fri
Jul 30 2010 3:47pm

“There is no real perfection.”—Pete Ham

Neil Gaiman has stated that Alan Moore presented him with the notion of being his Miracleman successor in 1986. Moore recalled, “I think that I just handed it over to Neil. We might have had a few phone conversations, I don’t remember, but I think I knew he would have great ideas, ones that were completely fresh, ones that weren’t like mine. And indeed he did. He did the excellent Andy Warhol [story] (Miracleman #19), for example, which I think he took from a random line from one of my stories about there being a number of Warhols, but he expanded that into that incredible story. I can’t take any credit at all for Neil’s work, apart from having the good taste to choose him as a replacement, really.”

[Read more]

Thu
Jul 22 2010 2:30pm

Prior to the bankruptcy of Pacific Comics in 1984, Quality Communications had just inked a deal with the Californian publisher for a colorized repackaging of “Warrior’s” Marvelman material in the United States. Shortly after, rival Golden State publisher Eclipse Comics negotiated with the Schanes brothers (Pacific’s owners) to save and acquire a great number Pacific titles, including the deal for Marvelman.

Although Eclipse Comics never had the market share and power of the Big Two (DC and Marvel), the company offered its talent room for creator ownership and freedom from censorship. For a progressive superhero like Marvelman, landing within the company started by brothers Dean and Jan Mullaney was seemingly a perfect fit.

[Read more]

Thu
Jul 15 2010 5:34pm

Back in 1981, fate played a major hand in the comeback of a dormant British comic book superhero character named Marvelman. Former Marvel UK editor Dez Skinn was tired of doing all the heavy editorial lifting for others when he decided to branch out and start a new company called Quality Communications. With his rolodex and publishing experience, he took a chance on himself and started Warrior, a comics anthology magazine that somewhat followed the content tempo of Marvel UK’s comic magazine format.

But, more importantly, Quality shared copyright ownership with its young pool of British creators. As Warrior was revving up, Skinn began to entertain the idea that it would be beneficial for the magazine to have a known character featured within. In his eyes, there was no better character than “the only British comic superhero,” rebuilt and modernized for an audience only vaguely familiar with the name from comics lore. The bigger question then became: Who would helm this revival?

[Enter: Alan Moore]

Thu
Jul 8 2010 3:34pm

Before the comic book world had The Dark Knight and Watchmen, 1982 gave us a revolutionary, revamped Marvelman in the pages of Warrior #1—a character that a few years later achieved more fame and acclaim under his new name of Miracleman, courtesy of American publisher Eclipse Comics.

Before the rage of ultra-realism, sex, violence and rock ’n’ roll were in all mainstream superhero storytelling, writer Alan Moore and a group of committed artists did it first and better with Miracleman, a forerunner to the dramatic possibilities that an entire industry would attempt to force onto all their heroes. This uprising was the first time that an established superhero character was pushed to its fullest dramatic possibilities, and then some. Here was a costumed heroic comic character ready to give the entire world peace, a true utopia unlike any ever seen in the art form. Subsequently, a young Neil Gaiman and Mark Buckingham would pick up the torch and continue to beautifully explore the ramifications of said bliss.

Now that it appears Marvel Comics has settled the copyright nightmare that have kept these stories out-of-print for over a decade, a new generation is ready to discover perhaps the greatest superhero novella ever told.

[The history of Marvelman]