
Ah, Philip Marlowe. He’s the greatest detective in American literature, but one who hasn’t always been served by his films. Maybe that’s because he’s more complex than the usual private eye. Maybe it’s because the plots of Raymond Chandler’s novels are difficult to follow, without a clear narrative spine. Another blog entry in Noir Week discusses the most famous Marlowe film adaptation, Bogart’s The Big Sleep, so I will go elsewhere and talk about all the other big screen versions of Philip Marlowe, and there are many.










On the heels of the recent
When you think of steampunk, do you think of Africa?
“Your Highness would be safer below. It’s getting dark. Vampires are very unpredictable.”


















