Welcome back to the Short Fiction Spotlight, a weekly column dedicated to doing exactly what it says in the header: shining a light on the some of the best and most relevant fiction of the aforementioned form.
Seems like Spectral Press has been in the news a whole lot lately; at least, the news I read—and write. A few Focuses ago we heard about The Spectral Book of Horror Stories, an exciting new anthology inspired by the cult classic Pan and Fontana annuals of the 60s and 70s. Simon Marshall-Jones’ indie outfit was also acknowledged by the British Fantasy Society with a number of award nominations, most notably for Best Small Press—this for the third time in a row, I think—but also for several stories by Steven Volk.
You might not know the name—he hasn’t written a whole lot of prose fiction—but Brits in particular will be familiar with his notorious Halloween hoax show, Ghostwatch, as well as the tremendous ITV series Afterlife. Afterlife’s cancellation was a Bad Thing, believe you me, but it did come with something of a silver lining: in the aftermath, Volk took to the short fiction form like a fella possessed. To wit, this week, we’re going to be reading Whitstable, his British Fantasy Award-nominated novella.