I touched on some of the issues of illustration in biology when I read Jean-Baptiste de Panafieu and Patrick Gries’ Evolution, and while that point is largely moot when it comes to everyone’s favorite subjects—dinosaurs—there are points of the argument that are still illuminating. Dinosaurs—any extinct prehistoric animal, really—require interpretation, guesswork and assumptions. The trick is, at some point those assumptions become part of the subculture, turning into an unofficial visual canon. Popular culture plays a role in this, as well; dinosaurs are tremendously inspiring and evocative, so people have strong opinions about them. Opinions unrelated to science. We’ve seen this in the reluctance of scientific illustration to adopt the “feathered dinosaur” motif, just as we had foot dragging on the topic of whether dinosaurs were ectothermic reptiles or “warm-blooded” like birds. All Yesterdays, by Darren Naish, John Conway, C.M. Kosemen and Scott Hartman, takes a look at that cutting edge of speculative paleoart, trying to look at things “outside the box.”










Who’s this?
For the past few years, it seems that the Weird have been taking Dr. Thompson’s advice, especially when it comes to the visual arts. In 2010, Tim Burton’s retrospective at the
Scott Westerfeld gave the keynote speech at Kidlitcon in Seattle this year. In the spirit of the just-ended Steampunk Week, just picture my thoughts traveling since that fateful September morning via horse-drawn robot, or maybe very slow walking tank, from my brain to the keyboard, and thence to the screen you see before you. It took me almost all that time to process what he said, because he talked about, well, everything.














Today’s Solstice Countdown Day #15 giveaway is a copy of art annual book Spectrum 17, signed (and doodled on) by cover artist Gregory Manchess! (Check out his



















