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When one looks in the box, whatever remains, however improbable, must be the cat.

Reactor

I’ve always been fascinated by the politics and social issues of the post-WWII era: McCarthy and the war against Communism, the beginnings of Women’s Lib, the arrival of television. These things changed the American landscape forever.

And this is one of the many reasons why I latched onto Caprica so fiercely.

The design of the show was an easy indication that it would be something I’d like. The men wear suits and fedoras for crying out loud! The women are always impeccably put together, usually in a full skirt or some kind of knit ensemble. The cars are enormous and covered with chrome. Everyone smokes like a chimney and drinks lots of brightly-colored alcohol. It’s like Mad Men with better technology–except for the televisions, which are still 13” for a lot of people.

But there are other things about the show that evoke that particular era. It begins in a period of hysteria, but instead of Communists, the populace fears a fringe group called the Soldiers of the One. It is set during a time when technology is on the brink of major change, and their society will go from virtual avatars in a contained, online space, to those avatars becoming self-aware and being able to exist in the real world; like when televisions became a fixture in homes and led to things like TV dinners and remote controls and microwaves, a new industry called Advertising that started making people want things they never knew they wanted before. And with all that political and scientific upheaval going on, there are all the social ramifications that come along with it. Will the idea of a One True God do away with the established polytheistic ideals? How will people deal with the morality of semi-sentient cylon slaves (say that three times fast!)? And how involved will the government get in regulating any of this? Who are Caprica’s “McCarthys”? If Caprica is Team U.S.A., does that make Gemenon the Soviet Union?

In thinking about Caprica, I wondered if there was a name for a movement that examines culture, science-fiction, and life through the lens of the Space Race, or the Atomic Age. If there wasn’t, I would have made up my own! However, in digging around teh intarwebz, I discovered that it did, indeed, already have a name although it’s not a terribly popular one. Not yet.

Atompunk.

Atompunk seems to have started in the Netherlands, is devoted to the cultural period between 1945 and 1965, and is still so young that there’s no real agreement yet as to what it includes. All of the writing I’ve found using the word “atompunk” only goes back a couple of years. Yet there are Tumblrs devoted to it, blogs about it, there’s a mailing list, and there was a festival in the Netherlands devoted to it last year. And it’s fascinating to me in its newness. I love that it’s still being figured out. And now, SyFy has provided us with an atompunk sci-fi television show in Caprica.

I’ll be continuing to examine Caprica through an atompunk lens…just because it’s fun and no one else seems to be doing it! There’s also the DIY aspect of any “punk” movement, be it punk music, steampunk, or atompunk. I’ll be exploring that, too, and have already asked artists, writers, musicians, and designers to explore Caprica and atompunk through various mediums. Lastly, there’s atompunk in general: what it’s all about? What qualifies? Why might it be important both as an alternative, and a partner to, steampunk?

Caprica returned last night, giving us a chance not just to enjoy a fabulous science-fiction drama, but also a chance to contemplate our future by examining our past. I know a lot of your have your noses in a Jules Verne novel right now, which is all very well and good. I’ll be over here drinking a martini, Daddy-o.


Teresa Jusino was born the same day Skylab fell. Coincidence? She doesn’t think so. She is a freelance writer in New York City who is a regular contributor to websites like ChinaShop Magazine, Pink Raygun, and Newsarama. In addition to her geeky online scribblings, she also writes prose fiction and screenplays. Teresa is the author of a chapbook of short stories called On the Ground Floor, and she is working on a webseries called The Pack, coming in 2011. She is also the last member of WilPower: The Official Wil Wheaton Fan Club. Visit her at The Teresa Jusino Experience.

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Teresa Jusino

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Teresa Jusino was born the day Skylab fell. Coincidence? She doesn't think so. A native New Yorker, Jusino has been telling stories since she was three years old, and she wrote a picture book in crayon in nursery school. However, nursery school also found her playing the angel Gabriel in a Christmas pageant, and so her competing love of performing existed from an early age. Her two great loves competed all the way through early adulthood. She attended NYU's Tisch School of the Arts where she majored in Drama and English Literature, after which she focused on acting, performing in countless plays and musicals in and around New York City, as well as short films, feature length independent films, and the one time she got to play an FBI agent in a PBS thing, which she thought was really cool, because she got to wear sunglasses and a dark suit and look badass. Eventually, producing was thrown into the mix. For four years, she was a company member and associate producer for a theater company called Stone Soup Theater Arts. She also produced a musical in which she also performed at Theater For the New City called Emergency Contraception: The Musical! by Sara Cooper, during which she ended every performance covered in fake blood. Don't ask. After eight years of acting, Jusino decided that she missed her first love – writing – and in 2008 decided to devote herself wholly to that pursuit. She has since brought her "feminist brown person" perspective to pop culture criticism at such diverse sites as Tor.com, ChinaShop Magazine, PopMatters, Newsarama, Pink Raygun, as well as her own blog, The Teresa Jusino Experience (teresajusino.wordpress.com), and her Tumblr for feminist criticism, The Gender Blender (tumblwithteresa.tumblr.com). She is also the editor of a Caprica fan fiction site called Beginning of Line (beginningofline.weebly.com), because dammit, that was a good show, and if SyFy won't tell any more of those characters' stories, she'll do it herself. Her travel-writer alter ego is Geek Girl Traveler, and her travel articles can be followed at ChinaShop while she herself can be followed on Twitter (@teresajusino). Her essay, "Why Joss is More Important Than His 'Verse" can be found in the book Whedonistas: A Celebration of the Worlds of Joss Whedon By the Women Who Love Them (Mad Norwegian Press). In addition to her non-fiction, Jusino is also a writer of fiction. Her short story, December, was published in Issue #24 of the sci-fi literary journal, Crossed Genres. A writer of both prose and film/television scripts, she relocated to Los Angeles in September 2011 to give the whole television thing a whirl. She'll let you know how that goes just as soon as she stops writing bios about herself in the third person.
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