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When one looks in the box, whatever remains, however improbable, must be the cat.

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Life is brutal, and you have to make choices – like that – and sometimes you make the wrong ones.     – Daniel Graystone

Until now, “Gravedancing”, Episode 4 of Caprica, held the title of Episode Most Likely to Make You Squee On Your Couch With Your Knees Pulled Up To Your Chest and Your Fists Pulled Up to Your Mouth (unless that was just me?). “Gravedancing” has been usurped. Badassery, thy new name is “Ghost in the Machine.”

The titular ghosts, Avatars Zoe and Tamara, each have their fathers coming for them, acting beyond their usual threshold of moral dubiousness. Daniel, suspecting that Avatar Zoe is in the U-87 cylon, puts it through a series of increasingly harrowing psychological tests designed to trick Avatar Zoe into revealing herself. She slips once, but after that remains determined to hide from Daniel at all costs. Joseph, with a little help from a virtual friend and a performance-enhancing drug called Amp, continues to pursue Avatar Tamara in New Cap City. She isn’t readily lured out either, and after Joseph steels himself to become increasingly violent in the game is told that it “seems like [his] daughter has found a home. Maybe [he] should go back to [his].” Meanwhile, Amanda continues to struggle with her mental state, even as she’s defending her husband to Vergis’ accusations, and Sam and Lacy both work to convince those closest to them that it is perhaps time to stop being so stubborn in their quests. That it is time to move on.

If you thought the Sam and Amanda storyline in “Gravedancing” was suspenseful, it is nothing compared to watching Daniel change tactics to try and flush out Avatar Zoe. On one hand, it feels like watching child abuse as he makes her relive a childhood trauma over and over, then makes her shoot her own dog. On the other hand, we see that Daniel is a desperate father trying to cling to the last piece of his daughter he has left. However, even though Daniel pushes the limits of what’s acceptable, there are still certain lines he won’t cross. He merely surrounds the U-87 with fire, knowing that Avatar Zoe will either walk right through it, or it will burn itself out. He orders the U-87 to shoot the family dog, but he fills the gun with blanks. Daniel isn’t completely heartless – his tears as he pleads with his daughter’s avatar suggest the opposite – but he is a scientist, and he will run test after test to get a result. He continues to grieve through his work.

Interesting, then, that Joseph, who has always been presented as the most benign of the two, actually pushes his boundaries the most. Remember, Daniel had Vergis’ MCP stolen, but he never put a hit out on anyone. Joseph has, despite taking it back later, and following a pep talk from Sam, he pushes himself to the point where he is capable of killing people himself. Granted, they’re virtual people at first – but so are Avatars Zoe and Tamara. Joseph wasn’t even capable of killing people in a game at the start of the episode, but by the end, he’s capable of shooting up a roomful. How long will it take for him to start rationalizing the deaths of real people?

Both men are capable of horrible things, yet when Eric Stoltz is lovingly looking at a cylon, or Esai Morales looks at a greeting card written out in a young girl’s scrawl, we can’t help but be on their side, even as we condemn their actions.

It isn’t only the two leads who were pushed outside their comfort zones. Sam (Sasha Roiz), in yet another compelling scene with Joseph, is put in an uncomfortable position when Joseph asks him, seemingly for the first time, what goes through his mind when he kills someone. He answers, and you can see that Sam is not the soulless monster his job description might lead you to believe he is. Amanda (Paula Malcomson), in an unexpected scene with Vergis (John Pyper-Ferguson), is once again put in the uncomfortable position of defending her husband. What’s interesting here is that Amanda always comes to Daniel’s aid, without fail, even as she taints her daughter’s memory by labeling her a terrorist at a public memorial service. She is completely blind to her husband’s flaws, even as she hones in on everyone else’s. And then there’s Avatar Zoe, who is pushed to her limits emotionally and psychologically, allowing Alessandra Torresani to give her finest performance to date. Her angry, hurt, fearful glances marked her steps from newborn, naïve avatar to emotional, vengeful cylon, as she barely said a word. Avatar Zoe is clearly her own person now, and it is exciting to think about where she can go from here.

There was one thing that didn’t ring true for me in the episode. Avatar Zoe says that she knew the gun she was given with which to shoot Caesar was filled with blanks the moment she picked it up, because the U-87 knew. Wouldn’t Daniel have known what the cylon’s capabilities were? Wouldn’t Daniel know that even if Avatar Zoe is in there, that she would also have access to the cylon’s abilities, too, and they would make it easier for her to continue to be stubborn about not revealing herself? If so, why did he bother with the blanks? Perhaps Daniel was just grasping at straws and just didn’t think about it, but I have a hard time believing that from a character who is all science all the time.

However, did anyone notice that he said that Avatar Zoe was giving him “the cylon treatment?”  Heh.  I love puns.

Lastly, I’m very curious about Tamara, and suspect that we might have already seen her since Joseph’s been back. I suspect that several of the virtual people with whom Joseph has interacted might be Tamara in a different form. Could she be Emanuelle (Leah Gibson), Joseph’s guide? After all, she did get shot and not die – though she did flicker in a way that Tamara didn’t when she got shot. However, Tamara might have developed the ability to fake certain things by now, having been in the game for a while, and Emanuelle does deliver the message that Tamara might be at home here. Or, is Tamara actually the drag host at Mysteries? Describing Tamara’s first appearance at the club in such detail, and bringing up such religious-minded questions, only to be left holding a sunflower, much like Tamara uses in her signature? Tamara is helping Joseph along. But to what end?

And lastly, can anyone answer the drag host’s riddle?

As the gods overthrew the titans, so has man overthrown the gods. But when man visits his sins upon his children, how shall he be repaid?

Could it be that this has all happened before, and it will all happen again?

Suspense, intricate character work, and provocative questions about morality and the connections between technology, religion, and immortality. Caprica got back on the rails this week, and proved why this show is one of the most intriguing shows on television right now.

Watch the nid-season finale of Caprica Friday, March 26th at 9PM ET!


Teresa Jusino was born on the same day that Skylab fell. Coincidence? She doesn’t think so. She is a contributor to PinkRaygun.com, a webzine examining geekery from a feminine perspective. Her work has also been seen on PopMatters.com, on the sadly-defunct literary site CentralBooking.com, edited by Kevin Smokler, and in the Elmont Life community newspaper. She is currently writing a web series for Pareidolia Films called The Pack, which is set to debut Summer 2010! Get Twitterpated with TeresaFollow The Pack or visit her at The Teresa Jusino Experience.

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Teresa Jusino

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Teresa Jusino was born the day Skylab fell. Coincidence? She doesn't think so. A native New Yorker, Jusino has been telling stories since she was three years old, and she wrote a picture book in crayon in nursery school. However, nursery school also found her playing the angel Gabriel in a Christmas pageant, and so her competing love of performing existed from an early age. Her two great loves competed all the way through early adulthood. She attended NYU's Tisch School of the Arts where she majored in Drama and English Literature, after which she focused on acting, performing in countless plays and musicals in and around New York City, as well as short films, feature length independent films, and the one time she got to play an FBI agent in a PBS thing, which she thought was really cool, because she got to wear sunglasses and a dark suit and look badass. Eventually, producing was thrown into the mix. For four years, she was a company member and associate producer for a theater company called Stone Soup Theater Arts. She also produced a musical in which she also performed at Theater For the New City called Emergency Contraception: The Musical! by Sara Cooper, during which she ended every performance covered in fake blood. Don't ask. After eight years of acting, Jusino decided that she missed her first love – writing – and in 2008 decided to devote herself wholly to that pursuit. She has since brought her "feminist brown person" perspective to pop culture criticism at such diverse sites as Tor.com, ChinaShop Magazine, PopMatters, Newsarama, Pink Raygun, as well as her own blog, The Teresa Jusino Experience (teresajusino.wordpress.com), and her Tumblr for feminist criticism, The Gender Blender (tumblwithteresa.tumblr.com). She is also the editor of a Caprica fan fiction site called Beginning of Line (beginningofline.weebly.com), because dammit, that was a good show, and if SyFy won't tell any more of those characters' stories, she'll do it herself. Her travel-writer alter ego is Geek Girl Traveler, and her travel articles can be followed at ChinaShop while she herself can be followed on Twitter (@teresajusino). Her essay, "Why Joss is More Important Than His 'Verse" can be found in the book Whedonistas: A Celebration of the Worlds of Joss Whedon By the Women Who Love Them (Mad Norwegian Press). In addition to her non-fiction, Jusino is also a writer of fiction. Her short story, December, was published in Issue #24 of the sci-fi literary journal, Crossed Genres. A writer of both prose and film/television scripts, she relocated to Los Angeles in September 2011 to give the whole television thing a whirl. She'll let you know how that goes just as soon as she stops writing bios about herself in the third person.
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